Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and AssyriaHandcock, Percy S. P. (Percy Stuart Peache)
History
Mesopotamian Archaeology: An introduction to the archaeology of Mesopotamia and Assyria
Handcock, Percy S. P. (Percy Stuart Peache)
Iraq -- Antiquities
It was not unnatural or unfitting that in a country which had been
created and was yearly being created out of and at the expense of the
sea, and in which the principal means of transit were the rivers and the
canals, the fish as the lord of the waters should fulfil an important
place in the mythological and religious conceptions entertained by the
inhabitants of that country: thus it was that the god Ea of Eridu, one
of the most famous and most important of the Babylonian gods, and the
Oannes of the Greeks, who according to one account was the creator of
the world, was represented in the form of a fish.
But it is necessary to avoid falling into the danger of assuming that
all the animals, birds, fish and trees, either figured on monuments or
mentioned in the literature of antiquity, belonged to the fauna or flora
of Mesopotamia at the time when these engravings and sculptures were
executed; the only absolutely certain and equally obvious inference is
that the existence of such fauna or flora was known, while the degree of
familiarity of the artist with the specimen in question may, with a good
deal of reservation and allowance for the crudeness of early art, be
inferred from the comparative accuracy with which he has reproduced it,
and also the frequency of its occurrence on contemporaneous works of
art. With regard to the evidence of the literature, unfortunately in
many cases there is some uncertainty as to the identification of the
animals and plants alluded to, and furthermore, many of the animals
represented pictorially on the monuments or alluded to in the literature
form part of the tribute brought by subject states, the precise locality
of which, to complicate matters yet further, is often uncertain.
Sometimes, as in the case of the horse (cf. p. 15), the early
ideographic form of writing teaches us something about the origin of the
object mentioned, while the appearance of an animal or tree in early
Mesopotamian art, and the existence of the same tree or animal in
Mesopotamia to-day is good argument for including it among the ancient
fauna and flora of the country. Again with exceptions it may be assumed
that animals offered and accepted as tribute by the kings of Babylonia
and Assyria were utilized in some way other than merely being afforded
accommodation in a zoological gardens, in which connection we may
perhaps fairly infer that kings of Assyria who accepted camels from
vassal chiefs found use for them as a means of transit, though in the
rough country of Assyria itself the camel would not be of great use any
more than to-day, owing to the tendency of camels to slip on rough
ground, and the consequently practical necessity of confining their use
to flat sandy ground, such as is found in Babylonia, where they are seen
by the thousand to-day.
(_b_) SKETCH OF BABYLONIAN AND ASSYRIAN HISTORY
Public-domain text, read in full here on John Shaqi.
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