“I want to see New York especially. I’ve always thought it must
look like a cemetery with all those tall gray buildings you see in
photographs.” He sighed conventionally: “So many interesting places in
the world. Do you like the West?”
Nervously, I said that I did. I still feared a possible repetition of
that brief outburst.
“I like the openness,” said Cave, as though he had thought long about
this problem. “I don’t think I’d like confinement I couldn’t live in
Seattle because of those fogs they used to have; San Francisco’s the
same. I don’t like too many walls, too much fog.” If he’d intended to
speak allegorically he could not have found a better audience for I
was, even at this early stage, completely receptive to the most obscure
histrionics but, in conversation, Cave was perfectly literal. Except
when he spoke before a large group, he was quite simple and prosaic
and, though conscious always of his dignity and singular destiny, not
in the least portentous.
I probably did not put him at his ease for I stammered a good deal and
made no sense, but he was gracious, supporting me with his own poise
and equanimity.
He talked mostly of places until Iris came back with tea. Then, as the
sky became florid with evening and the teacups gradually grew cold, he
talked of his work and I listened intently.
“I can talk to you straight,” he said. “This just happened to me. I
didn’t start out to do this. No sir, I never would have believed ten
years ago that I’d be traveling about, talking to people like one of
those crackpot fanatics you’ve got so many in California.” I took a
sip of the black, fast-cooling tea, hoping he was not sufficiently
intuitive to guess that I had originally put him down, provisionally of
course, as precisely that.
Public-domain text, read in full here on John Shaqi.
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