Michael and His Lost Angel: A Play in Five Acts — John Shaqi
Michael and His Lost Angel: A Play in Five ActsJones, Henry Arthur
General
Michael and His Lost Angel: A Play in Five Acts
Jones, Henry Arthur
Adultery -- Drama; Clergy -- Drama; England -- Social life and customs -- 20th century -- Drama; English drama
MICH. No, no, you are forgetting. I must see a little smile before you
go. Look, Andrew. (_ANDREW turns round._) For your father's sake. When
you have gone you will like him to remember that the last time he saw
your face it wore a smile. That's brave! Good-bye! Good-bye!
(_ROSE with great effort forces a smile and goes off with the Sister.
A moment or two later she is seen to pass the window sobbing in the
Sister's arms._)
ANDR. Look! Oh, sir, was it bound to be in public, before everybody
who knew her?
MICH. Believe me, Andrew, if my own sister, if my own child had been
in your daughter's place, I would have counselled her to act as your
daughter has done.
ANDR. She'll never hold up her head again.
MICH. Would you rather that she held up her head in deceit and
defiance, or that she held it down in grief and penitence? Think what
you and she have endured this last year, the deceit, the agony, the
shame, the guilt!
ANDR. I can't think of anything except her standing up in the church.
I shall never forget it.
MICH. Tell me you know I would willingly have spared you and her if it
had been possible.
ANDR. Then it wasn't possible?
MICH. I have done to you this morning as I would wish to be done by if
I had followed a course of continued deception.
ANDR. Ah, sir, it's easy for you to talk. You aren't likely to be
tempted, so you aren't likely to fall.
MICH. I trust not! I pray God to keep me. But if ever I did, I should
think him my true friend who made me confess and rid my soul of my
guilt. And you think me your true friend, don't you, Andrew? (_Holding
out hand._) Won't you shake hands with me?
(_ANDREW takes MICHAEL'S hand reluctantly, shakes it half-heartedly;
is going off at door._)
MICH. (_calls_). Andrew, it will be very lonely in your own house now
your daughter has gone. Come and live with me here. There is the large
visitors' room. Take it for your own, and make this your home. You
will be nearer to our work, and you will be nearer to me, my friend.
_MARK enters._
MARK (_at door_). Am I interrupting?
MICH. No. Come in. My little talk with Andrew is finished. (_To
ANDREW._) Say you know I have done what is right and best for you and
her.
ANDR. You've done what you thought was best for us, sir. I've never
doubted that. I can't see anything straight or clear this morning.
(_Exit._)
MARK. You've had a painful business here?
MICH. Terrible! But I was bound to go through with it. The whole
village was talking of it. I believed in her innocence and defended
her to the last. So when the truth came out I daren't hush it up. I
should have been accused of hiding sin in my own household. But that
poor child! My heart bled for her! Don't let us speak any more of it.
Tell me about yourself and the work in London.
MARK. You must come and join us there.
(_MICHAEL shakes his head._)
Public-domain text, read in full here on John Shaqi.
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