Michael and His Lost Angel: A Play in Five Acts — John Shaqi
Michael and His Lost Angel: A Play in Five ActsJones, Henry Arthur
General
Michael and His Lost Angel: A Play in Five Acts
Jones, Henry Arthur
Adultery -- Drama; Clergy -- Drama; England -- Social life and customs -- 20th century -- Drama; English drama
MICH. I couldn't live there. Every time I go up for a day or two I
come back more and more sickened and frightened and disheartened.
Besides, you forget my Eastern studies. They are my real work. I
couldn't pursue them in the hurry and fever of London.
MARK. How are you getting on with the Arabic translations?
MICH. Slowly but surely. Andrew is invaluable to me. In spite of his
bringing up, he has the true instincts of the scholar.
MARK. Well, you know best. But we want you in London. You'd soon raise
the funds for restoring the Minster.
MICH. (_shakes his head_). I can't go round with the hat.
MARK. How's the work getting on?
MICH. Very slowly. I'm afraid I shall never live to finish it. By the
bye, I received fifty pounds anonymously only yesterday.
MARK. Have you any idea where it came from?
MICH. No. The Bank advised me that it had been paid to my credit by a
reader of my "Hidden Life," who desired to remain anonymous.
MARK. The book is having an enormous influence. Nothing else is talked
about. And it has gained you one very rich proselyte--this Mrs.
Lesden. She's living here, isn't she?
MICH. Yes. Curious woman----
MARK. Have you seen much of her?
MICH. I called, of course. I've met her once or twice at dinner. She
has called here three or four times, and wasted several good hours for
me.
MARK. How wasted?
MICH. Kept me from my work. I wish the woman would take herself back
to London.
MARK. Why?
MICH. Her frivolity and insincerity repel me. No--not insincerity. I
recall that. For she said one or two things that seemed to show a vein
of true, deep feeling. But on the whole I dislike her--I think I
dislike her very much.
MARK. Why?
MICH. She comes regularly to church----
MARK. Surely there's no very great harm in that----
MICH. No; but I don't know whether she's mocking, or criticising, or
worshipping; or whether she's merely bored, and thinking that my
surplice is not enough starched, or starched too much.
MARK. She's very rich, and would be an immense help to our movement. I
should try and cultivate her.
MICH. I can't cultivate people. What do you think of her?
MARK. A very clever society woman, all the more clever that she was
not born in society.
MICH. What do you know of her?
MARK. Merely what I wrote you in my letter. That she was the only
daughter of an Australian millionaire. Her great-grandfather, I
believe, was an Australian convict. She was sent to England to be
educated, went back to Australia, married, lost her husband and
father, came back to England a widow, took a house in Mayfair,
entertained largely, gave largely to charities, read your book, "The
Hidden Life," came down to see the country round here, made up her
mind to live here, and wanted an introduction to you--which I gave
her.
_Enter FANNY, announcing SIR LYOLF FEVERSHAM, an English country
gentleman, about sixty-five, a little old-fashioned in manners and
dress. Exit FANNY._
Public-domain text, read in full here on John Shaqi.
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