Michael and His Lost Angel: A Play in Five Acts — John Shaqi
Michael and His Lost Angel: A Play in Five ActsJones, Henry Arthur
General
Michael and His Lost Angel: A Play in Five Acts
Jones, Henry Arthur
Adultery -- Drama; Clergy -- Drama; England -- Social life and customs -- 20th century -- Drama; English drama
AUDR. I was comparing the delights of three different
professions,--the soldier's, the doctor's, and the priest's. What a
glorious joy it must be to ride to meet a man who is riding to kill
you--_and to kill him!_ But I'd rather be a doctor, and play with life
and death. To have a man in your power, to see him lying tossing on
his bed, and to think, "This may cure him, or it may kill him. Shall I
risk it? At any rate, if he dies, I shall have learnt so much. I will
risk it! And--he dies--No, he lives! I've saved him." Wouldn't you
like to be a doctor?
MICH. No.
AUDR. That's because you know what far greater joy it is to be a
priest. (_He turns very angrily._) To play with people's souls----
MICH. Play!
AUDR. You do play with our souls, don't you? They're in your hands. To
think, "This man, or, say, this woman, has an immortal soul. She is
vain, silly, deceitful, foolish, perhaps wicked, perhaps horribly
wicked. She'll lose her soul and be eternally lost. But if I were to
struggle with her for it, rebuke her, teach her, plead with her,
entreat her, guide her--who knows--she's not wholly bad--I might save
her? Is she worth saving? The worse she is, the greater will be my
reward and honour for having saved her. Shall I do it? This woman's
soul is in my keeping! I can choose for her eternal life or eternal
death. What shall I do? Shall I save her, or let her be lost?"
MICH. (_comes eagerly to the window_). Do you mean that?
AUDR. Mean what?
MICH. That your soul is in my keeping?
AUDR. Not at all. I meant nothing except that thoughts like these must
constantly stray through a priest's mind. Don't they? (_Long pause._)
Why don't you speak?
MICH. (_cold, stern_). I have nothing to say.
(_Pause._)
AUDR. (_taking out purse, taking out two notes_). Oh! I was
forgetting--I've brought you a little contribution for the restoration
of your Minster.
(_Putting notes on window-sill. MICHAEL stands cold, angry._)
AUDR. Won't you take it?
MICH. Thank you. No.
AUDR. I think you're a little rude to me. I came as a heart-stricken
penitent; you wouldn't accept me in that character. Then I came as a
pious donor. You wouldn't accept me in that. You've kept me outside
here--you haven't even asked me in.
MICH. (_very sternly_). Come in! (_She looks up, uncertain as to his
intentions._) (_Same cold, stern voice._) Please to come in. That
way--the outer door is open.
(_She goes off, he goes to door left, opens it, she comes in._)
Public-domain text, read in full here on John Shaqi.
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