Walking near Fleet Street, he saw displayed a bill announcing that evening lectures on natural philosophy were delivered by Mr. Tatum at 53, Dorset Street, Salisbury Square, E.C., price of admission one shilling. With his master’s permission, and money furnished by his elder brother Robert, who was a blacksmith and (later) a gasfitter, Michael began to taste scientific teaching. Between February, 1810, and September, 1811, he attended some twelve or thirteen lectures. He made full and beautiful notes of all he heard: his notebooks, bound by himself, being still preserved. At these lectures he fell in with several thoroughly congenial comrades, one of them, by name Benjamin Abbott, being a well-educated young Quaker, who was confidential clerk in a mercantile house in the City. Of the others--amongst whom were Magrath, Newton, Nicol, Huxtable, and Richard Phillips (afterwards F.R.S. and President of the Chemical Society)--several remained lifelong friends. Happily for posterity, the letters--long and chatty--which the lad wrote in the fulness of his heart to Abbott have been preserved; they are published in Bence Jones’s “Life and Letters.” They are remarkable not only for their vivacity and freshness but for their elevated tone and excellent composition--true specimens of the lost art of letter-writing. The most wonderful thing about them is that they should have been written by a bookbinder’s apprentice of no education beyond the common school of the district. In his very first letter he complains that ideas and notions which spring up in his mind “are irrevocably lost for want of noting at the time.” This seems the first premonition of that loss of memory which so afflicted him in after life. In his later years he always carried in his waistcoat pocket a card on which to jot down notes and memoranda. He would stop to set down his notes in the street, in the theatre, or in the laboratory. Riebau, his master in the bookbinding business, seems, from the way he encouraged the studies of his young apprentice, to have been no ordinary man. His name would suggest a foreign extraction; and to his shop resorted more than one political refugee. There lodged at one time at Riebau’s an artist named Masquerier,[4] who had painted Napoleon’s portrait and had fled from France during the troublous times. For the apprentice boy, who used to dust his room and black his boots, Masquerier took a strong liking. He lent him books on perspective and taught him how to draw. Another frequenter of Riebau’s shop was a Mr. Dance, whose interest in the industry and intelligence of the apprentice led him to an act which changed the whole destiny of his life. Faraday himself, in the very few autobiographical notes which he penned, wrote thus:--