He was a breezy-looking young man, this new-comer from beyond the
sea--a son of the Vikings, Tyrrel's contemporary in age, but very
unlike him in form and features; for Eustace Le Neve was fair and
big-built, a florid young giant, with tawny beard, mustache, and
whiskers, which he cut in a becoming Vandyke point of artistic
carelessness. There was more of the artist than of the engineer,
indeed, about his frank and engaging English face--a face which made
one like him as soon as one looked at him. It was impossible to do
otherwise. Exuberant vitality was the keynote of the man's being. And
he was candidly open, too. He impressed one at first sight, by some
nameless instinct, with a certain well-founded friendly confidence. A
lovable soul, if ever there was one, equally liked at once by men and
women.
"Our cliffs are fine," Walter Tyrrel answered, grudgingly, in the tone
of one who, against his will, admits an adverse point he sees no chance
of gainsaying. "They're black, and repellant, and iron-bound, and
dangerous, but they're certainly magnificent. I don't deny it. Come and
see them, by all means. They're the only lions we have to show a
stranger in this part of Cornwall, so you'd better make the most of
them."
And he took, as if mechanically, the winding path that led down the gap
toward the frowning cove in the wall of cliff before them.
Eustace Le Neve was a little surprised at this unexpected course, for
he himself would naturally have made rather for the top of the
promontory, whence they were certain to obtain a much finer and more
extensive view; but he had only arrived at Penmorgan the evening
before, so he bowed at once to his companion's more mature experience
of Cornish scenery. They threaded their way through the gully, for it
was little more--a great water-worn rent in the dark serpentine rocks,
with the sea at its lower end--picking their path as they went along
huge granite boulders or across fallen stones, till they reached a
small beach of firm white sand, on whose even floor the waves were
rolling in and curling over magnificently. It was a curious place,
Eustace thought, rather dreary than beautiful. On either side rose
black cliffs, towering sheer into the air, and shutting out overhead
all but a narrow cleft of murky sky. Around, the sea dashed itself in
angry white foam against broken stacks and tiny weed-clad skerries. At
the end of the first point a solitary islet, just separated from the
mainland by a channel of seething water, jutted above into the waves,
with hanging tresses of blue and yellow seaweed. Tyrrel pointed to it
with one hand. "That's Michael's Crag," he said, laconically. "You've
seen it before, no doubt, in half a dozen pictures. It's shaped exactly
like St. Michael's Mount in miniature. A marine painter fellow down
here's forever taking its portrait."
Public-domain text, read in full here on John Shaqi.
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