Michelangelo had just completed the _Battle of the Centaurs and
Lapithae_ when he lost his best friend and munificent patron, to whom
he had become deeply attached. On April 8th, 1492, Lorenzo the
Magnificent died at Careggi, sincerely mourned, not only in Florence,
but throughout Italy. The generous encouragement which he gave to
art and letters, the power and splendour which he bestowed on
Florence in exchange for her lost liberty, more as an infatuated
lover dowering a wayward bride than as a conqueror imposing his will,
the consummate ability displayed in his diplomatic dealings with the
other Italian States, these were the principal merits which justified
the proud title of _Il Magnifico_, conferred on him by his
contemporaries, and which caused Lorenzo's death to be regarded as a
public calamity throughout Italy.
So much grief, says Condivi, did Michelangelo feel for his patron's
death, that for some time he was quite unable to work. He left the
Medicean palace, which had been his home during three years, and
returned to his father's house. But his love for art was stronger
than his grief, and after a few weeks, when he was himself again, he
bought a large piece of marble that had for many years been exposed
to the wind and rain, and carved a Hercules out of it. This statue
was placed in the Strozzi Palace, where it stood until the siege of
Florence in 1530, when Giovanni Battista della Palla bought it and
sent it into France as a gift to King Francis I. It has
unfortunately been lost.
At this time Michelangelo applied himself most diligently to the
study of anatomy, a profound knowledge of which is apparent in all
his subsequent works. He was indebted to the Prior of Santo Spirito
for many kindnesses, amongst others for the use of a room where he
dissected the subjects, for the most part executed criminals, which
the Prior placed at his disposal. "Nothing," says Condivi, "could
have given Michelangelo more pleasure, and this was the beginning of
his anatomical studies, which he followed until he had completely
mastered the secrets of the human frame."
Public-domain text, read in full here on John Shaqi.
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