This is an inconsistency which, more than anything else, raises his
character in our estimation, because it shows how many private tastes
and feelings he sacrificed, in order to do what he considered his duty
to mankind. It is the very struggle of the noble Othello. His heart
relents; but his hand is firm. He does nought in hate, but all in
honour. He kisses the beautiful deceiver before he destroys her.
That from which the public character of Milton derives its great and
peculiar splendour still remains to be mentioned. If he exerted himself
to overthrow a forsworn king and a persecuting hierarchy, he exerted
himself in conjunction with others. But the glory of the battle which
he fought for the species of freedom which is the most valuable, and
which was then the least understood, the freedom of the human mind, is
all his own. Thousands and tens of thousands among his contemporaries
raised their voices against Ship-money and the Star-chamber. But there
were few indeed who discerned the more fearful evils of moral and
intellectual slavery, and the benefits which would result from the
liberty of the press and the unfettered exercise of private judgment.
These were the objects which Milton justly conceived to be the most
important. He was desirous that the people should think for themselves
as well as tax themselves, and should be emancipated from the dominion
of prejudice as well as from that of Charles. He knew that those who,
with the best intentions, overlooked these schemes of reform, and
contented themselves with pulling down the king and imprisoning the
malignants, acted like the heedless brothers in his own poem, who, in
their eagerness to disperse the train of the sorcerer, neglected the
means of liberating the captive. They thought only of conquering when
they should have thought of disenchanting.
"Oh, he mistook! Ye should have snatched his wand
And bound him fast. Without the rod reversed,
And backward mutters of dissevering power,
We cannot free the lady that sits here
Bound in strong fetters fixed and motionless."
Public-domain text, read in full here on John Shaqi.
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