Miss America; pen and camera sketches of the American girlBlack, Alexander
General
Miss America; pen and camera sketches of the American girl
Black, Alexander
Women -- United States; Women -- United States -- Social conditions
There are several reasons why she should be various. The “Mayflower”
was a small ship and could not hold all of our ancestors. Like the
English who followed after the Conqueror, some of our ancestors had to
be content to “come over” at a later time, some of them at a shockingly
recent date. Thus we have greater divergences in type than exist in
countries wherein the “coming over” process was neither so protracted
nor from so many points of the compass. The American girl blossoms like
the pansy in so many and in such unexpected shades and combinations
that science falters, and bewildered art, determined to paint types
that will “stay put,” bolts for Brittany and sulkily draws sabots and
the Norman nose. We are a vast anthropological department store in
which the polite sociological clerk will show you human goods, not
only in the primary colors, but in every conceivable tint and texture;
and when you ask him, Is this foreign or domestic? he lies to meet the
requirements. Yes, Miss America sometimes, like our cotton, “comes
over” a second time with a foreign label, which _is_ puzzling!
It is our habit to think that the American girl of English ancestry
presents precisely the right modification of the--what shall I call
it?--austerity of the purely English type, and which scorns the
melancholy of Burne-Jones and Rossetti. The American girl of German
parents is conspicuously with us, and very often is found supplying a
fascinatingly fair phase without which our galaxy scarcely would be
complete, adding a delightful sparkle to the demureness which we might
not find so modified in Berlin or Bremen. The American girl of French
parentage is found uniting the traits of the people which has produced
De Staël, and Récamier and George Sand, to the perhaps not greatly
different vivacity of l’Américaine. We trace the auburn tresses of the
Scottish lass, the teasing Irish eyes, the winsome oval of the Dutch
face. We see the too emphatic contrasts of the Spanish, the Italian
and the Russian types mellowed and refined; while Oriental blood, the
civilized African, the octoroon and the occasional Asiatic each add an
element of picturesque variety.
Public-domain text, read in full here on John Shaqi.
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