Miss America; pen and camera sketches of the American girlBlack, Alexander
General
Miss America; pen and camera sketches of the American girl
Black, Alexander
Women -- United States; Women -- United States -- Social conditions
And this is not saying a word about the differentiating fact that
this is a big country, and that Miss America in one section is by no
means the same as Miss America in another. I do not mean to say that
when we meet her in or from Boston we always know her by sight, but
when we come to average her in that neighborhood we are able to see
clearly enough that her quality is distinctive, that it is different
from the quality of Miss America elsewhere--in New York, for example,
where, by a trivial tradition, she is supposed to lay less stress upon
intellectuality, but where, under whatever guise of habit or manner,
you will find that she knows enough and has what she knows sufficiently
at her command to make you nervous. Again, the Philadelphia girl upsets
your preconceived notions, if you are foolish enough to have these,
by being nothing that suggests even remote relationship to the bronze
Quaker on the municipal tower. It is the familiar joke that the Boston
girl asks what you know, that the New York girl asks what you own,
and that the Philadelphia girl asks who your grandfather was. If this
amiable satire should have any foundation in fact, I wonder what the
Chicago girl is expected to ask. I myself have a theory, not wholly
dissociated from experience, that she does not ask anything, being
content to know that she, personifying the great traditionless middle
west, has been called the hardest riddle of them all.
And, as I have said, we must admit that geography has much to do with
the case. Does any one deny that climate and history have made the
Kentucky girl a being apart--that the Kentucky horses which she has
ridden with so much spirit have had their effect in her whole style and
personality? Could we fail to look for a distinctive flowering in the
verdant slopes beyond the Sierras or amid that intensely American human
environment on the plains of Texas? Have you heard the Creole sing?
Have you heard the music of the Georgia girl’s talk? Have you ever let
a Virginia girl drive you, or danced with Miss Maryland?
A southern dance! Perhaps it is inevitable that we should find
ourselves thinking of the Continental and early Federal society;
of old Georgetown and the powdered heads, and the minuet, and the
blinking candles behind the darkey orchestra; of the clinking swords
of the young Revolutionary soldiers, and the satin breeches of the
foreign lordlings, studying the precocious young republic and the
young republic’s daughters: of the quaint gowns Miss America used to
wear, and the taunting little caps and head-dresses, reflecting now
the whimsies of the Empire, now the furbelows of the Restoration, and
always her engagingly different self. Yes, time is working its
wizard tricks up and down the land, slowly here and quickly there,
now (as it might seem) in a romantic spirit, and again in brusque
paradoxical contrast to the thing we expect.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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