Miss America; pen and camera sketches of the American girlBlack, Alexander
General
Miss America; pen and camera sketches of the American girl
Black, Alexander
Women -- United States; Women -- United States -- Social conditions
We live quickly hereabouts, and to say that the vast changes which have
taken place in our national life have been mostly external is not to
say that the spectacle is on that account any easier to understand.
In an especial degree social situation with us, like the age limit
defining old maids, is wholly relative, subject to continual change.
To the foreign spectator who ignores this relativity, the American
girl naturally is bewildering, and we are likely to find her typified
in foreign comment in the words which Schlegel irreverently applied
to Portia, as a “rich, beautiful, clever heiress.” No, the typical
American girls are not all heiresses, nor all cow-camp heroines.
They were not always demure in the colonies, nor are they always
disconcertingly self-possessed in our own time. The girls with whom
Lafayette went sled-riding on the Newburg hills do not actually appear
to have been amazingly different from those who teased the Prince
of Wales in the fifties (I mean _our_ fifties), nor from those
who sent in their cards to Li Hung Chang in the nineties. It is very
shocking to us moderns, who let women preach and plead and vote,
to learn of the number of elopements in the days when women were
theoretically tethered to the spinning-wheel and forbidden everything
but hypocrisy. Which is to say, perhaps, that how much we shall regard
as distinctive in the modern woman may depend upon how little we happen
to know of the woman who has gone before.
But time and place must leave their mark, and Miss America, though
she be like changeable silk, of varying hue in varying lights,
is undoubtedly, being the precocious product of a new era in new
territory, a new variety in the species, as new as if she were
grotesquely instead of subtly different. And in her presence the
American himself frequently seems to be awed and quelled, like the
Greek hero when Athena’s “dreadful eyes shone upon him.” His devotion
to her has excited derision; his deference has been misconstrued,
his boastful admiration has been catalogued as characteristic. Italy
once spoke of England as “the paradise of women”; and England in a
later day began to say the same thing about the United States, which
may or may not have something to do with the “star of empire,” and
probably, in any case, has some definite relation to the Anglo-Saxon
spirit, concerning which so much has been said of late. As for Miss
America herself, the sovereignty at which the foreign observer marvels
is a real appearance, however profound the misapprehension of its
philosophy. Miss America is no illusion, if some spectators have
doubted their senses.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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