Miss Esperance took the proffered hand in both her own. "Are you sure
that you really care?" she asked gently.
*CHAPTER XXI*
*IN WHICH MR. WYCHERLY HANGS UP HIS COLLEGE ARMS*
For who can always act? but he,
To whom a thousand memories call,
Not being less but more than all
The gentleness he seemed to be.
_In Memoriam._
Mr. Wycherly, a look of great perplexity upon his face, sat by the
hearth far into the night. The lamp burned low, went out, and he sat on
staring into the darkness till the dawn, cold and gray-mantled, came
creeping through the unshuttered windows to find him still seated,
clear-eyed and contemplative, but with the puzzled lines smoothed out of
his forehead as by a kind hand. Bewilderment and self-reproach had
given place to memory, as the years since the children had come passed
before him in procession.
There was that strange, dreadful journey homeward from Portsmouth, the
long cramped hours of sitting, he and Miss Esperance, each with a child
clasped in stiff, unfamiliar arms: those first bewildering days when the
children made all sorts of incomprehensible demands upon his
inexperience. As he sat alone in the darkness Edmund’s indignant
lamentations because he could not "make a ’abbit" sounded in his ears,
and his triumphant outcries when once the manufacture of the creature
was accomplished.
The rabbit scenes came back to him, and a thousand others—those pretty
daily doings full of quaint solemnity, that parents take for granted,
but that come with an ever-recurring shock of almost reverential
pleasure upon such gentle-hearted maids and bachelors as have to do with
little children late in life.
It had never ceased to fill Mr. Wycherly with amazement that baby Edmund
managed to put his spoon into his mouth and not into his eye; and he
never fastened those absurd little strap shoes that were for ever coming
undone, without a slight trembling of the hands. It seemed so wonderful
that he, of all people, should be permitted to officiate at these
mysteries. His memory was clamorous with the children’s endless demands
for "stories." Picture after picture unrolled before him of attentive,
eager-eyed Montagu, listening with breathless interest to the tales that
are old and new as life itself; of sturdy, fidgety Edmund with the loud
laugh and handsome, fearless face.... And in all the pictures, the
figure of Miss Esperance, bent now, but quick as ever to deeds of
kindness, moved like the sound of music, gracious and beneficent.
Public-domain text, read in full here on John Shaqi.
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