Bianca was getting on for nineteen, but it was necessary to treat her
like a child. She hung her head, and took the rebuke very meekly.
"But, signorina, say what you will, Costanza does put wadding in her
stays because she is so thin, and then pretends to have a fine figure.
And she has a bad temper, as every one knows...."
"Bianca, you are incorrigible!" I put my hand across her mouth, and ran
down the corridor to my own room.
CHAPTER VII.
THE HOME-COMING OF THE REBEL.
The covered gallery which ran along the back of the house was flooded
in the afternoon with sunshine. Here, as the day declined, I loved to
pace, basking in the warmth and rejoicing in the brightness, for mild
and clear as the day might be out of doors, within the thick-walled
palace it was always mirk and chill.
The long, high wall of the gallery was covered with pictures--chiefly
paintings of dead and gone Brogi--most of them worthless, taken singly;
taken collectively, interesting as a study of the varieties of family
types.
Here was Bianca, to the life, painted two centuries ago; the old
Marchese looked out from a dingy canvass 300 years old at least, and
a curious mixture of Romeo and his sister disported itself in powder
amid a florid eighteenth century family group. Conspicuous among so
much indifferent workmanship hung a genuine Bronzino of considerable
beauty, representing a young man, whose charming aspect was scarcely
marred by his stiff and elaborate fifteenth century costume. The dark
eyes of this picture had a way of following one up and down the gallery
in a rather disconcerting manner; already I had woven a series of
little legends about him, and had decided that he left his frame at
night, like the creatures in "Ruddygore," to roam the house as a ghost
where once he had lived as a man.
Opposite the pictures, on which they shed their light, was a row of
windows, set close together deep in the thick wall, and rising almost
to the ceiling. They were not made open, but through their numerous and
dingy panes I could see across the roofs of the town to the hills, or
down below to where a neglected bit of territory, enclosed between high
walls, did duty as a garden.
Public-domain text, read in full here on John Shaqi.
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