In one corner of this latter stood a great ilex tree, its massive grey
trunk old and gnarled, its blue-green foliage casting a wide shadow.
Two or three cypresses, with their broom-like stems, sprang from the
overgrown turf, which, at this season of the year, was beginning to be
yellow with daffodils, and a thick growth of laurel bushes ran along
under the walls. An empty marble basin, approached by broken pavement,
marked the site of a forgotten fountain, the stone-crop running riot
about its borders; the house-leek thrusting itself every now and then
through the interstices of shattered stone. Forlorn, uncared for as was
this square of ground, it had for me a mysterious attraction; it seemed
to me that there clung to it through all change of times and weathers,
something of the beauty in desolation which makes the charm of Italy.
It was about four o'clock on Thursday afternoon, and I was wandering up
and down the gallery in the sunshine.
I was alone for the first time during the last three days, and was
making the best of this brief respite from the gregarious life to
which I saw myself doomed for some time to come. The ladies were out
driving, paying calls and making a few last purchases for the coming
festivities. In the evening Andrea was expected, and an atmosphere of
excitement pervaded the whole household.
"They are really fond of him, it seems," I mused; "these people who, as
far as I can make out, are so cold."
Then I leaned my forehead disconsolately against the window, and had a
little burst of sadness all by myself.
The constant strain of the last few days had tired me. I longed
intensely for peace, for rest, for affection, for the sweet and simple
kindliness of home.
I had even lost my interest in the coming event which seemed to
accentuate my forlornness.
What were other people's brothers to me? Let mother or one of the girls
come out to me, and I would not be behindhand in rejoicing. "No one
wants me, no one cares for me, and I don't care for any one either,"
I said to myself gloomily, brushing away a stray tear with the back
of my hand. Then I moved from the window and my contemplation of the
ilex tree, and began slowly pacing down the gallery, which was getting
fuller every minute of the thick golden sunlight.
But suddenly my heart seemed to stop beating, my blood froze, loud
pulses fell to throbbing in my ears. I remained rooted to the spot with
horror, while my eyes fixed themselves on a figure, which, as yet on
the further side of a shaft of moted sunlight, was slowly advancing
towards me from the distant end of the gallery.
"Is it the Bronzino come to life?" whispered a voice in the back
recess of my consciousness. The next moment I was laughing at my own
fears, and was contemplating with interest and astonishment the very
flesh-and-blood presentiment of a modern gentleman which stood bowing
before me.
Public-domain text, read in full here on John Shaqi.
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