A little while ago I saw one of the bibles of the Middle Ages. It was
about two feet in length, and one and a half in width. It had immense
oaken covers, with hasps, and clasps, and hinges large enough almost
for the doors of a penitentiary. It was covered with pictures of winged
angels and aureoled saints. In my imagination I saw this book carried
to the cathedral altar in solemn pomp--heard the chant of robed and
kneeling priests, felt the strange tremor of the organ's peal; saw the
colored light streaming through windows stained and touched by blood
and flame--the swinging censer with its perfumed incense rising to the
mighty roof, dim with height and rich with legend carved in stone, while
on the walls was hung, written in light, and shade, and all the colors
that can tell of joy and tears, the pictured history of the martyred
Christ. The people fell upon their knees. The book was opened, and the
priest read the messages from God to man. To the multitude, the book
itself was evidence enough that it was not the work of human hands. How
could those little marks and lines and dots contain, like tombs, the
thoughts of men, and how could they, touched by a ray of light from
human eyes, give up their dead? How could these characters span the vast
chasm dividing the present from the past, and make it possible for the
living still to hear the voices of the dead?
V. THE PENTATEUCH
The first five books in our bible are known as the Pentateuch. For
a long time it was supposed that Moses was the author, and among the
ignorant the supposition still prevails. As a matter of fact, it seems
to be well settled that Moses had nothing to do with these books, and
that they were not written until he had been dust and ashes for hundreds
of years. But, as all the churches still insist that he was the author,
that he wrote even an account of his own death and burial, let us
speak of him as though these books were in fact written by him. As the
christians maintain that God was the real author, it makes but little
difference whom he employed as his pen, or clerk.
Nearly all authors of sacred books have given an account of the creation
of the universe, the origin of matter, and the destiny of the human
race. Nearly all have pointed out the obligation that man is under to
his creator for having placed him upon the earth, and allowed him to
live and suffer, and have taught that nothing short of the most abject
worship could possibly compensate God for his trouble and labor suffered
and done for the good of man. They have nearly all insisted that we
should thank God for all that is good in life; but they have not all
informed us as to whom we should hold responsible for the evils we
endure.
Public-domain text, read in full here on John Shaqi.
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