Modern daughters : $b Conversations with various American girls and one man — John Shaqi
Modern daughters : $b Conversations with various American girls and one manBlack, Alexander
General
Modern daughters : $b Conversations with various American girls and one man
Black, Alexander
Women -- Social and moral questions; Women -- United States -- Social conditions
“The greater includes the less. When he says a little that he doesn’t
mean he says a great deal more than he ought to.”
“Perhaps he always will say much that he shouldn’t, anyway. But admitting
that you have the right to mystify him, and then not to help him, does it
seem to you precisely fair that girls who neither go into the marrying
game, nor stay out of it, should—”
“Flirt as much as they do—I want to save you the trouble of finding an
inoffensive phrase.”
“Perhaps I wasn’t going to be inoffensive. And I might not have chosen
the word ‘flirt.’ Flirt doesn’t exactly express the idea. I shouldn’t
wish to seem as if I were hunting about for a new title for an old
crime,—”
“Crime? You will be quite solemn in a moment. Did you come over here to
scold me?”
“I thought this was a talk game. A talk game couldn’t have a motive,
could it?”
“Why, yes. It is like a Wagnerian composition. We might have encountered
the Didactic Motive.”
“Now you are scolding me. I insist that I am merely the Interested
Spectator. Maybe I am a sort of Walking Gentleman in the cast, who, with
every wish not to be impertinent, ventures a timid and respectful word
with the leading lady in the wings.”
“Should you think the Walking Gentleman had a right to quarrel with the
leading lady as to her method of reading the lines?”
“No; but surely he might ask her, humbly, and in a spirit of honest
inquiry, what she thought the author meant and whether, to her, the play
seemed consistent. Even the Walking Gentleman must be presumed to have
certain human impulses. Perhaps he can’t even find out who is the leading
lady. Perhaps the girl who seems designed by nature to be the heroine,
the girl who, if he were the Hero and not the Walking Gentleman, would
make his duty clear, betrays a singular indifference to the Hero, the
Hero’s understudy, and all the rest of them.”
“Then you have come over here with a view to classifying me?”
“Suppose I had so definite a hope?”
“I might help you.”
“What are you, please?”
“I am the Left-Over Girl.”
“I don’t wish to be ungracious, but that does not help me much. Who or
what has left you over?”
[Illustration]
“Circumstances. In the course of the great readjustment I am left out,
lost in the shuffle, if you like.” This idea seemed to please her.
“Marriage is like any other game, isn’t it? He calls her bluff—”
“Don’t!” I protested. “These card game allusions perplex me as much as
the paradox which I have encountered in my travels this year, that poker
is popular in New England and dominoes in Texas.”
“But somebody told me that they play a very wicked kind of dominoes
in Texas, and I know that they play a very moral kind of poker in New
England.”
“I am afraid you play poker.”
“Like Mistress Muslin, I love cards. And you know there are some people
who never have good hands. Doesn’t that prove that the word ‘chance’ has
a deep and dark meaning? There is fate behind chance. I never had a good
hand but once.”
“In which game?”
Public-domain text, read in full here on John Shaqi.
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