"Asseyez-vous, s'il vous plait," said Madame. And she brought nearer to the fire all the chairs the establishment possessed and some chests and boxes to be used as seats. And she and the little girl, whose name was Solange, went out into the snow and came back with heaping armfuls of small logs. The fire blazed merrily--more merrily than it had blazed since August, 1914, perhaps. We surrounded it, and soon the air was thick with steam from our drying socks. Meanwhile Madame and the Sergeant had generously admitted all eleven of us into their conversation. A spirited conversation it was, too, in spite of the fact that she knew no English and the extent of his French was "du pain," "du vin," "cognac" and "bon jour." Those of us who knew a little more of the language of the country acted as interpreters for the others. We learned the names of the children and their ages. We learned that our hostess was a widow. Her husband had fallen in battle just one month before our arrival in her home. She showed us with simple pride and affection and restrained grief his picture. Then she showed us those of her two brothers--one now fighting at Salonica, the other a prisoner of war--of her mother and father, of herself dressed for First Communion. This last picture she showed somewhat shyly, as if doubting that we would understand it. But when one of us asked in halting French if Solange, her little daughter, had yet made her First Communion, then Madame's face cleared. "Mais oui!" she exclaimed, "Et vous, ma foi, vous êtes Catholiques, n'est-ce pas?" At once rosary beads were flourished to prove our right to answer this question affirmatively. Tattered prayer-books and somewhat dingy scapulars were brought to light. Madame and the children chattered their surprise and delight to each other, and every exhibit called for a new outburst. "Ah, le bon S. Benoit! Ah, voilà, le Conception Immacule! Ooh la la, le Sacré Cœur!" (which last exclamation sounded in no wise as irreverent as it looks in print). Now other treasures, too, were shown--treasures chiefly photographic. There were family groups, there were Coney Island snapshots. And Madame and the children were a gratifyingly appreciative audience. They admired and sympathized; they exclaimed appropriately at the beauty of every girl's face, the tenderness of every pictured mother. We had become the intimates of Madame. She had admitted us into her family and we her into ours.