In his collection of folk-stories there is one from Zacynthos, entitled ‘Captain Thirteen,’ which runs as follows[134]:--A king who was the strongest man of his time made war on a neighbour. His strength lay in three hairs on his breast. He was on the point of crushing his foes when his wife was bribed to cut off the hairs, and he with thirteen companions was taken prisoner. But the hairs began to grow again, and so his enemies threw him and his companions into a pit. The others were killed by the fall, but he being thrown in last, fell upon them and was unhurt. Over the pit his enemies then raised a mound. He found however in the pit a dead bird, and having fastened its wings to his hands flew up and carried away mound and all with him. Then he soared high in the air until a storm of rain washed away the clay that held the feathers to his hands, and he fell into the sea. ‘Then from out the sea came the god thereof (ὁ δαίμονας τῆς θάλασσας) and struck him with a three-pronged fork (μία πειροῦνα μὲ τρία διχάλια)’ and changed him into a dolphin until such time as he should find a maiden ready to be his wife. The dolphin after some time saved a ship-wrecked king and his daughter, and the princess by way of reward took him for her husband and the spell was broken. Other characteristics of this trident-bearing sea-god are, according to the same authority[135], that he is in form half human and half fish; that his wealth, consisting of all treasures lost in the sea, is so great that he sleeps on a couch of gold; and that he rides upon dolphins. Thus Poseidon, it appears, (or it may be Nereus,) has survived locally in the remembrance of the Greek people as a deity unconnected with Christianity. Far more generally however his functions have been transferred to S. Nicolas, whose aid is invariably invoked by seamen in time of peril, and who has acquired the byname of ‘sailor’ (ναύτης)[136]. The allusion to the sea-god and his trident in the story which I have repeated must, I think, be accepted with some reserve as being possibly a scholastic interpolation. I cannot find confirmation of it in any other folk-story, and moreover the latter part of the tale is familiar to me in another form. The hero is usually a young prince who goes out to seek adventures in the world, not a king who has already a wife at home; and his transformation into a dolphin is effected by some malicious witch into whose toils he falls. But while for these reasons I do not put the story forward as certain evidence of the survival of Poseidon in the popular memory, I have recounted it at some length because it is an excellent type of current folk-tales, and from a study of it, if we may now leave Poseidon and make a brief digression, we may appreciate the relation existing between such stories and the myths of antiquity.