Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
Let purple gaiters, clasp thine ankles fine
In noble leather, that no dust or mire
Blemish thy foot; down from thy shoulders flow
Loosely a tunic fair, thy shapely arms
Cased in its closely-fitting sleeves, whose borders
Of crimson or of azure velvet let
The heliotrope's color tinge. Thy slender throat,
Encircle with a soft and gauzy band.
Thy watch already
Bids thee make haste to go. O me, how fair
The Arsenal of tiny charms that hang
With a harmonious tinkling from its chain!
What hangs not there of fairy carriages
And fairy steeds so marvelously feigned
In gold that every charger seems alive?
This magnificent swell, of the times when swells had the world quite
their own way, finds his lady already surrounded with visitors when he
calls to revere her, as he would have said, and he can therefore make
the more effective arrival. Entering her presence he puts on his very
finest manner, which I am sure we might all study to our advantage.
Let thy right hand be pressed against thy side
Beneath thy waistcoat, and the other hand
Upon thy snowy linen rest, and hide
Next to thy heart; let the breast rise sublime,
The shoulders broaden both, and bend toward her
Thy pliant neck; then at the corners close
Thy lips a little, pointed in the middle
Somewhat; and from thy month thus set exhale
A murmur inaudible. Meanwhile her right
Let her have given, and now softly drop
On the warm ivory a double kiss.
Seat thyself then, and with one hand draw closer
Thy chair to hers, while every tongue is stilled.
Thou only, bending slightly over, with her
Exchange in whisper secret nothings, which
Ye both accompany with mutual smiles
And covert glances that betray, or seem
At least, your tender passion to betray.
It must have been mighty pretty, as Master Pepys says, to look at the
life from which this scene was painted, for many a dandy of either
sex doubtless sat for it. The scene was sometimes heightened by the
different humor in which the lady and the cavalier received each
other, as for instance when they met with reproaches and offered the
spectacle of a lover's quarrel to the company. In either case, it is
for the hero to lead the lady out to dinner.
With a bound
Rise to thy feet, signor, and give thy hand
Unto thy lady, whom, tenderly drooping,
Support thou with thy strength, and to the table
Accompany, while the guests come after you.
And last of all the husband follows....
Or rather--
If to the husband still
The vestige of a generous soul remain,
Let him frequent another board; beside
Another lady sit, whose husband dines
Yet somewhere else beside another lady,
Whose spouse is likewise absent; and so add
New links unto the chain immense, wherewith
Love, alternating, binds the whole wide world.
Public-domain text, read in full here on John Shaqi.
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