Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
The first part of Parini's Day is Morning, that mature hour at which
the hero awakes from the glories and fatigues of the past night. His
valet appears, and throwing open the shutters asks whether he will
have coffee or chocolate in bed, and when he has broken his fast and
risen, the business of the day begins. The earliest comer is perhaps
the dancing-master, whose elegant presence we must not deny ourselves:
He, entering, stops
Erect upon the threshold, elevating
Both shoulders; then contracting like a tortoise
His neck a little, at the same time drops
Slightly his chin, and, with the extremest tip
Of his plumed hat, lightly touches his lips.
In their order come the singing-master and the master of the violin,
and, with more impressiveness than the rest, the teacher of French,
whose advent hushes all Italian sounds, and who is to instruct the
hero to forget his plebeian native tongue. He is to send meanwhile to
ask how the lady he serves has passed the night, and attending her
response he may read Voltaire in a sumptuous Dutch or French binding,
or he may amuse himself with a French romance; or it may happen that
the artist whom he has engaged to paint the miniature of his lady (to
be placed in the same jeweled case with his own) shall bring his work
at this hour for criticism. Then the valets robe him from head to
foot in readiness for the hair-dresser and the barber, whose work is
completed with the powdering of his hair.
At last the labor of the learned comb
Is finished, and the elegant artist strews
With lightly shaken hand a powdery mist
To whiten ere their time thy youthful locks.
* * * * *
Now take heart,
And in the bosom of that whirling cloud
Plunge fearlessly. O brave! O mighty! Thus
Appeared thine ancestor through smoke and fire
Of battle, when his country's trembling gods
His sword avenged, and shattered the fierce foe
And put to flight. But he, his visage stained,
With dust and smoke, and smirched with gore and sweat,
His hair torn and tossed wild, came from the strife
A terrible vision, even to compatriots
His hand had rescued; milder thou by far,
And fairer to behold, in white array
Shalt issue presently to bless the eyes
Of thy fond country, which the mighty arm
Of thy forefather and thy heavenly smile
Equally keep content and prosperous.
When the hero is finally dressed for the visit to his lady, it is in
this splendid figure:
Public-domain text, read in full here on John Shaqi.
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