Modern Italian Poets; Essays and Versions — John Shaqi
Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
_Cly._ Oh, woe is me! What can I answer? Pity--
But I merit none!--And yet if in my heart,
Daughter, thou couldst but read--ah, who could look
Into the secret of a heart like mine,
Contaminated with such infamy,
And not abhor me? I blame not thy wrath,
No, nor thy hate. On earth I feel already
The guilty pangs of hell. Scarce had the blow
Escaped my hand before a swift remorse,
Swift but too late, fell terrible upon me.
From that hour still the sanguinary ghost
By day and night, and ever horrible,
Hath moved before mine eyes. Whene'er I turn
I see its bleeding footsteps trace the path
That I must follow; at table, on the throne,
It sits beside me; on my bitter pillow
If e'er it chance I close mine eyes in sleep,
The specter--fatal vision!--instantly
Shows itself in my dreams, and tears the breast,
Already mangled, with a furious hand,
And thence draws both its palms full of dark blood,
To dash it in my face! On dreadful nights
Follow more dreadful days. In a long death
I live my life. Daughter,--whate'er I am,
Thou art my daughter still,--dost thou not weep
At tears like mine?
Clytemnestra confesses that Aegisthus no longer loves her, but she
loves him, and she shrinks from Electra's fierce counsel that she
shall kill him. He enters to find her in tears, and a violent scene
between him and Electra follows, in which Clytemnestra interposes.
_Cly._ O daughter, he is my husband. Think, Aegisthus,
She is my daughter.
_Aeg._ She is Atrides' daughter!
_El._ He is Atrides' murderer!
_Cly._ Electra!
Have pity, Aegisthus! Look--the tomb! Oh, look,
The horrible tomb!--and art thou not content?
_Aeg._ Woman, be less unlike thyself. Atrides,--
Tell me by whose hand in yon tomb he lies?
_Cly._ O mortal blame! What else is lacking now
To my unhappy, miserable life?
Who drove me to it now upbraids my crime!
_El._ O marvelous joy! O only joy that's blessed
My heart in these ten years! I see you both
At last the prey of anger and remorse;
I hear at last what must the endearments be
Of love so blood-stained.
The first act closes with a scene between Aegisthus and Clytemnestra,
in which he urges her to consent that he shall send to have Orestes
murdered, and reminds her of her former crimes when she revolts from
this. The scene is very well managed, with that sparing phrase which
in Alfieri is quite as apt to be touchingly simple as bare and poor.
In the opening scene of the second act, Orestes has returned in
disguise to Argos with Pylades the son of Strophius, to whom he
speaks:
We are come at last. Here Agamemnon fell,
Murdered, and here Aegisthus reigns. Here rose
In memory still, though I a child departed,
These natal walls, and the just Heaven in time
Leads me back hither.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account