Modern Italian Poets; Essays and Versions — John Shaqi
Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
Twice five years have passed
This very day since that dread night of blood,
When, slain by treachery, my father made
The whole wide palace with his dolorous cries
Echo again. Oh, well do I remember!
Electra swiftly bore me through this hall
Thither where Strophius in his pitying arms
Received me--Strophius, less by far thy father
Than mine, thereafter--and fled onward with me
By yonder postern-gate, all tremulous;
And after me there ran upon the air
Long a wild clamor and a lamentation
That made me weep and shudder and lament,
I knew not why, and weeping Strophius ran,
Preventing with his hand my outcries shrill,
Clasping me close, and sprinkling all my face
With bitter tears; and to the lonely coast,
Where only now we landed, with his charge
He came apace; and eagerly unfurled
His sails before the wind.
Pylades strives to restrain the passion for revenge in Orestes,
which imperils them both. The friend proposes that they shall feign
themselves messengers sent by Strophius with tidings of Orestes'
death, and Orestes has reluctantly consented, when Electra re-appears,
and they recognize each other. Pylades discloses their plan, and when
her brother urges, “The means is vile,” she answers, all woman,--
Less vile than is Aegisthus. There is none
Better or surer, none, believe me. When
You are led to him, let it be mine to think
Of all--the place, the manner, time, and arms,
To kill him. Still I keep, Orestes, still
I keep the steel that in her husband's breast
She plunged whom nevermore we might call mother.
_Orestes._ How fares it with that impious woman?
_Electra._ Ah,
Thou canst not know how she drags out her life!
Save only Agamemnon's children, all
Must pity her--and even we must pity.
Full ever of suspicion and of terror,
And held in scorn even by Aegisthus' self,
Loving Aegisthus though she know his guilt;
Repentant, and yet ready to renew
Her crime, perchance, if the unworthy love
Which is her shame and her abhorrence, would;
Now wife, now mother, never wife nor mother,
Bitter remorse gnaws at her heart by day
Unceasingly, and horrible shapes by night
Scare slumber from her eyes.--So fares it with her.
In the third scene of the following act Clytemnestra meets Orestes
and Pylades, who announce themselves as messengers from Phocis to the
king; she bids them deliver their tidings to her, and they finally
do so, Pylades struggling to prevent Orestes from revealing himself.
There are touchingly simple and natural passages in the lament that
Clytemnestra breaks into over her son's death, and there is fire, with
its true natural extinction in tears, when she upbraids Aegisthus, who
now enters:
My only son beloved, I gave thee all.
* * * * *
Public-domain text, read in full here on John Shaqi.
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