Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
With the disadvantage of rhyme, in a foreign language, no apology is
requisite for the ruggedness of any lines which the critic may point
out. I differ totally from those writers, Coleridge and others, who
affect a contempt for finished versification, and rely entirely on
the brilliancy of their ideas. Whatever is worth doing at all is
worth doing well, according to the writer’s best capability, and the
reader’s ear ought surely to be as much consulted as his mind is
sought to be engaged. Those who have had to write “nonsense verses” at
school or college, have no right to excuse themselves from labouring
to make their lines run smoothly. If, therefore, any of the following
translations are not so rendered, it will occasion the writer much
regret that his best efforts for that purpose have been unsuccessful.
Another complaint may be anticipated, that this work does not
comprehend authors either in prose or the drama. The fault, if it be
one, must be admitted, with the observation, that the task undertaken
was felt sufficient of itself to require the best exertions of the
writer. According to the plan laid down of giving only entire pieces,
in the case of including either prose or dramatic writers, the work
would have been increased to an inordinate extent, or the plan must
have been adopted of giving extracts, which would be contrary to the
opinion expressed of the best course to be pursued. If this attempt
should meet with public approbation, some one else may be induced to
continue the further service. If it should not, the labour expended on
a larger work would be so much more given in vain. In the one case, the
failure might be ascribed to having attempted too much; in the other,
the approbation might not have been gained but for the efforts having
been directed undividedly to what was thus only within the reach of
accomplishment.
In sequence of the remark before made, of the manly style of thought,
feeling and expression which had characterized the older Spanish
writers, from their having been persons generally who had engaged in
the active affairs of life, the reader may perhaps feel interested
in tracing how the same causes have produced the same effects with
their successors. From the memoirs hereafter detailed, it may be seen
that no fewer than six out of the twelve had to suffer the evils of
exile for public or private opinions, of whom three so died unhappily
in foreign countries. Three others, though not actually exiled, were
subjected to long and cruel imprisonment for the same causes, while
two out of the remaining three had to take their share of burdens in
the public service during the troubled state of the country. Such men
could have no mawkish sentiments to develope, and no fantastic feelings
to indulge. What they felt, they felt deeply; what they observed, they
observed distinctly, and thus were enabled to give their thoughts and
feelings clearly and strongly.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account