Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
I took the book therefore and for my own share inscribed a translation
of “Du bist wie eine Blume,” which I had made myself and which I always
use for that purpose. I then began to search among my papers to see if
by any chance I had some old verses from my school days which would suit
for the apothecary. Finally I came upon the following bad poem:
You set my thoughts in turmoil,
I wither in longing’s blight.
In solitude you haunt me,
I dreamed of you in the night.
I dreamed that we walked together
Side by side in the twilight dim,
And through your lowered lashes
I saw the bright tear swim.
I kissed your cheek and your eyelids,
I saw the tear-drop fall,
But oh, your red, red lips, love--
I kissed them most of all.
One cannot always dream sweetly.
Small rest since then have I known,
For, sorrowful oft and weary,
I watch through the night-hours alone.
Alas! your cheeks so soft, love,
I touch but with glances trist,
And those red lips, my darling,
I never, never have kissed.
I showed the apothecary this poem and offered to let him use it. He read
it through attentively twice and blushed all over with delight.
“Did you really write that yourself?” he inquired in his simplicity of
heart.
“Yes, I’m sorry to admit.”
He thanked me very warmly for the permission to use the poem, and when
he went out of the room I imagine we both had the feeling that we must
drop the formality of “mister” at the first opportunity.
* * * * *
That evening there was a little party at the girl’s house. Young folks
were there. We drank cherry syrup on a veranda festooned with hop-vines.
I sat and looked at the young girl.
No, she was not like herself. Her eyes were bigger and more restless
than usual and her mouth was redder. And she could not sit still on her
chair.
From time to time she cast a furtive glance at me, but more often she
looked at the apothecary. And the apothecary looked that evening like a
turkey-cock.
When the punch was passed around, we dropped the “mister.”
* * * * *
We young people went down on the meadow to play games. We tossed rings
and played other games, and meanwhile the sun went down behind the hills
and it grew dark.
We had laid the rings and the sword in a heap on the ground and were now
standing in groups, whispering and smiling, while the dusk came on. But
the young girl came up to me through the dusk and took me aside behind a
shed.
“You must answer me a question,” said she. “Did the druggist really
write his verses himself?” Her voice trembled, and she tried to look
away as she spoke.
“Yes,” I said. “He wrote them last night. I heard him going back and
forth in his room all night.”
But when I had said that, I felt a sting in my conscience, for I saw
that she was a pretty and lovable child and that it was a great sin to
deceive her so.
Public-domain text, read in full here on John Shaqi.
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