Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
There are two kinds of dogs: dogs that have a master, and dogs that have
none. Outwardly the difference is not material; a masterless dog may be
as fat as others, often fatter. No, the difference lies in another
direction. Mankind is for dogs the infinite, providence. To obey a
master, to follow him, rely upon him--that is, so to speak, the meaning
of a dog’s existence. To be sure, he has not his master in his thoughts
every minute of the day, nor does he always follow close at his heels.
No, he often runs about of his own accord with business-like intent,
sniffs around the corners of houses, makes alliance with his kind,
snatches a bone, if it comes in his way, and concerns himself about
much. Yet on the instant that his master whistles, all this is out of
his canine head more quickly than the scourge drove the hucksters out of
the temple, for he knows that there is but one thing he must attend to.
So forgetting his house-corner and his bone and his companions, he
hurries to his master.
The dog whose master died without the dog’s knowing how, and who was
buried without the dog’s knowing where, mourned him long; but as the
days passed and nothing occurred to remind him of his master, he forgot
him. He no longer perceived the scent of his master’s footsteps on the
street where he lived. As he rolled about on a grass plot with a
comrade, it often happened that a whistle pierced the air, and in that
instant his comrade had vanished like the wind. Then he pricked up his
ears, but no whistle resembled his master’s. So he forgot him, and he
forgot still more: he forgot that he had ever had a master. He forgot
that there had ever been a time when he would not have regarded it as
possible for a dog to live without a master. He became what one would
call a dog that had seen better days, though it was in the inner meaning
of the expression, for outwardly he got along fairly well. He lived as a
dog does live: he now and then stole a good meal in the square, and got
beaten, and had love affairs, and lay down to sleep when he was tired.
He made friends and enemies. One day he thoroughly thrashed a dog that
was weaker than he, and another day he was badly handled by one that was
stronger. Early in the morning one might see him run out along his
master’s street, where out of habit he mostly continued to resort. He
ran straight forward with an air of having something important to attend
to; smelt in passing a dog that he met, but was not eager to follow up
the acquaintance; then continued his journey; but all at once sat down
and scratched himself behind the ear with intense energy. The next
moment he started up and flew right across the street to chase a red cat
down into a cellar window; whereupon, re-assuming his business manner,
he proceeded on his way and vanished around the corner.
So his day was spent. One year followed close in the track of another,
and he grew old without noticing it.
Public-domain text, read in full here on John Shaqi.
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