Modern Swedish Masterpieces: Short Stories — John Shaqi
Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
General
Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
My father said to me, “Other children talk to themselves up to four and
five years old; you are too big for that.”
I perceived that things couldn’t go on any longer so; something must be
done. It occurred to me that it was the sibilant sound that betrayed me:
Signy, Signy; that wouldn’t do. So I changed Signy’s name to Ida. In
that way I succeeded in having her sometimes in peace, but Ida never
really got the same power of enchantment over me as Signy. One fine day
we became enemies, I quarreled with her and called her a silly girl, and
perhaps I even went so far as to scratch her. I regretted it to be sure
but wouldn’t ask her pardon, and soon after I let her go to the deuce.
At the same time I learned to think in silence--and with a few
exceptions have continued to do so.
But whence had I got Signy? In the same house with us lived a little
girl, with whom I sometimes played. Her mother was in the ballet, and
once she dressed herself in one of her mother’s ballet skirts. But she
was neither Signy nor Ida, she performed no deviltries and had none of
Signy’s magic power over my heart. I must, then, at the age of seven
have created Signy as the German creates a camel: out of the depths of
my consciousness.
Then, too, I was predestined.
After that the years rolled on, and my genuinely literary impulses
arrived, only quite late. The first strong urge came when one of my
schoolmates--it was the present Professor Almqvist at the Caroline
Institute--during a lesson in Mother Tongue declaimed with powerful
effect Viktor Rydberg’s “Flying Dutchman.” I became wild with enthusiasm
and for months afterwards dreamed of nothing else than being able at
some period in the remote future to write something equally fine.
So far I haven’t succeeded, but why should one give up hope?
A MASTERLESS DOG
A man died, and after he was dead no one looked after his black dog. The
dog mourned him long and bitterly. He did not, however, lie down to die
on his master’s grave; possibly because he did not know where it was;
possibly, too, because he was at bottom a young and happy dog, who
considered that there was still something left for him in life.
Public-domain text, read in full here on John Shaqi.
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