Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
So was this worthy doctor, sane, humane and religious in one--a very
practical Samaritan. Yet, as it came to appear, not all his honest
theories were able to serve him in the single direction where most he
pined to see them vindicated. He was a widower, and possessed of an
only child, a hopelessly crippled boy of fifteen.
Bannister had been an inmate of the house for a full week before he
learned of the existence of this pathetic incubus. The building was
well-sized, its upper part, until he came to occupy it, delivered to
gloom and emptiness, and, to reach his rooms, he had to pass by a door
on the first landing which, in his early notice of it, was invariably
closed. But one night, as he went by, he observed the door ajar, and
saw a light and heard a voice within. The voice was not that of his
landlord, nor of the hard-faced woman who acted as his sole servant
and housekeeper. It was a weak voice and a querulous, and it seemed to
be expostulating over the meagreness of some concession grudgingly
vouchsafed. The musician paused in some astonishment, resting
momentarily the foot of the harp he shouldered on a stair-tread. He
never parted from his loved instrument, though in these days he used a
good packhorse to convey it to and from the places where he performed.
It was near midnight, and the house, but for the voice, was dead
silent. The woman, after admitting him, had preceded him up the flight
and vanished. It had never occurred to him that the place contained
other than the two with whom he was familiar. He stood, petrified for
the moment, and, as the sound of his footstep ceased, so did that of
the low and feeble complaint. And then suddenly the woman came to the
door and appeared before him.
Bannister had always rather mentally recoiled from this person--her
bony sallowness, her silence, the gloom of seeming tragedy in her
eyes. He never learned from first to last what was her history; and
yet, if tragedy there were connected with it, it had likely proved a
tragedy no more heroic than that of lovelessness, and drudgery, and
the hard resignation to that lot of unfulfilment which, foredoomed of
personal ill-favour, is perhaps, to a woman, the bitterest tragedy of
all. She served him, and waited on him well; she did everything
efficiently save smile. Yet, for all her unemotional presence, he
thought he perceived now, in the guttering light of the landing lamp,
a sign of perturbation on her face.
“I was surprised,” he said; “and stopped--no witting eavesdropper. I
thought I heard a voice I did not recognize.”
“’Twas Colin’s,” she said.
“Anan?” He used, being country bred, the country expression.
“Colin’s,” she repeated--“the master’s child.”
“I never knew he had one.”
“One.” She responded like an echo.
“And ill?”
“He’s always ill.”
“Poor boy! Does this vigil signify----?”
She answered the unfinished question.
“He wanted the door left ajar that he might see you pass with your
harp.”
“See me pass?”
Public-domain text, read in full here on John Shaqi.
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