Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Historical fiction
“Would you like to hear me play,” he said: “here and now, in the
silence of the house?” The instant rapture called to the emaciated
features was his sufficient answer. He smiled. “Cannot you sleep?” he
said. “It is late to lie awake.”
The boy shook his head.
“What is time to me, sir?”
He said it without affectation. It had seemed less touching otherwise.
“Well,” said Bannister, “it must be a Lydian measure, lest those more
concerned with sleep than we resent it. Lie still, child, while I drug
thy tired brain.”
He knew his own power in that way which is the last from vainglory.
True genius has no self-consciousness. It was his soul that played,
his fingers obeying; and what conceit can there be in immortality?
Seated, he touched the strings, and his soul spoke--spoke all the pity
and soft sympathy which were its burden. It was tender music, sighing,
sweetly subdued to the occasion. And as he proceeded he lost himself
in it, lost all but the sense of that divine compassion which was
moving and inspiring him. Still, the sure instinct of the artist came
presently to decree a period; and ending, short of surfeit, on a dying
note, he came to earth.
The child was lying with closed lids, heavy tears trickling from them
upon the pillow; the woman stood in the shadows, one hand placed over
her eyes. What faint, angelic melodies must have stricken, half
fearfully, half joyfully, the ears of dark watchers in the streets
that night! Stepping very gently, the musician bent above the boy.
“Good-night, Colin,” he whispered. “And shall I come again anon?”
With a convulsive movement, two thin arms were flung about his neck.
“O, come, come again and play to me!”
“I will come. But now, my child, I am very weary. See, I will leave my
harp to stand with you all night in earnest of my promise.”
As he opened the door a gaunt and ghastly apparition faced him. It was
the father himself, awakened, and brought from his bed in doubt and
trembling. He closed the latch, and, turning on the musician, seized
him by the arms in a fierce and strenuous grip.
“I was listening, I was watching!” he whispered hoarsely. “Shall I
curse you or love you!” And then he fell upon his knees, pawing and
mumbling the sensitive hands. “No, no,” he gasped in a broken voice;
“be you his true physician--not like this empty charlatan, who, for
all his pretended knowledge, hath never learned the magic that one
touch of thy hands can dispense.”
CHAPTER IX
Public-domain text, read in full here on John Shaqi.
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