Banks and banking -- France -- History -- 19th -- Fiction
These Beauvilliers--who, to say nothing of their immense estates in
Touraine and Anjou, had formerly possessed a magnificent mansion in the
Rue de Grenelle--now, in Paris, only owned this old pleasure-house,
built at the beginning of the last century outside the city walls, and
at present shut in among the gloomy buildings of the Rue Saint-Lazare.
The few beautiful trees of the garden lingered there, as at the bottom
of a well; and the cracked, crumbling entrance-steps were covered
with moss. The place seemed like some corner of Nature put in prison,
a meek, mournful nook where dumb despair reigned, and where the sun
only cast a greenish light, which chilled one's shoulders. And in this
still, damp, cellar-like place, at the top of the disjoined steps,
the first person noticed by Madame Caroline had been the Countess de
Beauvilliers, a tall, thin woman of sixty, with perfectly white hair
and a very noble old-time air. With her large straight nose, thin lips,
and particularly long neck, she looked like a very old swan, meekly
woeful. Then, almost immediately behind her, had come her daughter,
Alice de Beauvilliers, now twenty-five years old, but with such an
impoverished constitution that one would have taken her for a little
girl, had it not been for the spoiled complexion and already drawn
features of her face. She was her mother over again, but more puny
and with less aristocratic nobility, her neck elongated to the point
of ugliness, having nothing left her, indeed, but the pitiful charm
that may cling to the last daughter of a great race. The two women
had been living alone since the son, Ferdinand de Beauvilliers, had
enlisted in the Pontifical Zouaves, after the battle of Castelfidardo,
lost by Lamoricière. Every day, when it did not rain, they thus
appeared, one behind the other, and, descending the steps, made the
circuit of the little central grass-plot, without exchanging a word.
The path was merely edged with ivy; flowers would not have grown in
such a spot, or perhaps they would have cost too dear. And the slow
promenade--undoubtedly a simple constitutional--made by those two pale
women, under the centenarian trees which long ago had witnessed so many
festivities, and which the neighbouring _bourgeois_ houses were now
stifling, was suggestive of a melancholy grief, as though they had been
performing some mourning ceremony for old, dead things.
Public-domain text, read in full here on John Shaqi.
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