Moral Poison in Modern FictionJohnson, R. Brimley (Reginald Brimley)
History
Moral Poison in Modern Fiction
Johnson, R. Brimley (Reginald Brimley)
English fiction -- 20th century -- History and criticism; Pornography
But then, our daughters had no chance to know and choose, no test
between real emotion and fevered desire—their own or another's.
Inheriting a beautiful home-womanliness, the flower of sheltered
innocence, they had to make and be themselves in the open of a new
world. Nobility shone out among us in those days, miracles beyond
belief of what woman can do and suffer for big, or small, men: a new
vision of the mothering of humanity that brought God to our side. Also,
alas, terrible shattering of English girlhood, ugly staining of the
pure in heart, feverish unrest, a fury of overdoing, a hard glitter of
cold joy. Always haste, never growth. Wherefore to-day our morality is
an ash-heap, which some weep over, others kick up.
_Dare we refuse to face the black awakening to disillusion?_
III
BECAUSE WHILE THEY LIVED VIOLENTLY, YOUTH ALSO THOUGHT HARD.
What was their "food for thought"? Largely away from, and independent
of, personal influence from the intimacies of home life; almost
entirely freed from authority even in daily conduct, and from the
restraints of an accepted moral code; they talked and read. All the
rebellions and revolts of before 1914 were conspicuously abroad.
Above all, then and to-day, the novels (devoured for distraction) had
forced sex-problems upon the most thoughtless; demanded for all on
the threshold of life full licence for self-expression; analysed what
they called the soul in undigested detail; lingered over body-contact,
flushes and fires of the flesh; loudly proclaimed new Laws of Love.
The whole experience of mankind, our most sacred instincts, are flouted
with contempt. The conflicting claims, which none can avoid, between
young and old, have been flung off. The old distinctions between wrong
and right are categorically denied; all now demand an absolutely fresh
start based on universal knowledge of sin, absolute freedom for the
individual, frank discussion of physical intimacies, full rights to
the Egoist—"a commonplace promiscuity that masquerades as liberty,
as courageousness, as art. A slimy, glittering snail-track threaded
through all society."
And we have not, even yet, gone far enough! since, it is said,
"Conversation is over-sexed, the novel under-sexed, therefore untrue,
therefore insincere." By this creed, there is only one _real_ thing in
life—physical passion.
I do not suggest that contemporary thought is _all_ evil, unclean or
false. Many of our writers are serious, pure-minded men and women,
rightly indignant with old falsehoods, honestly seeking new light. Much
of their work, too, reveals both sincerity and truth, a finer instinct
for the ideal than the Victorians ever knew. Their courage is heroic,
their frankness most wise.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account