Moral Poison in Modern FictionJohnson, R. Brimley (Reginald Brimley)
History
Moral Poison in Modern Fiction
Johnson, R. Brimley (Reginald Brimley)
English fiction -- 20th century -- History and criticism; Pornography
But they are, on the whole, prone to haste. They denounce often without
understanding; eager to knock down, without preparation to build up.
_There is a large body of new doctrine, or interpretation of life and
manhood, which is false, morbid, and poisonous in its effects._
Above all, the message has taken youth unprepared—just when (more than
ever before in the history of the world) they needed quiet patience for
complete understanding. _And_ it has, naturally, proved an attractive
instrument for cheap sensation-mongers to feed novelty and excitement,
in second-rate, widely read, novels. The appeal here is far more
dangerous, because it lacks thought or any sense of responsibility
in the writers. These insincere books, written for success to catch
the crowd, even when slightly more veiled in phrase, are far more
suggestive and unclean. They present conclusions without reasons,
gospels without faith. They partly create, and largely reflect, life as
it is for the moment. Taking evil for granted, they do devil's work.
Such are the prevailing influences of the day; very mixed, of grave
peril, that have already done much to prolong the crime of war.
But the following pages shall not be given to mere abuse, idle
complaints, or dogmatic assertion.
It is necessary, quite frankly, but with all possible _clear_
thinking, to examine and present the new moral teaching, to sift true
from false; to declare how much has come from more knowledge and
understanding, and how much from unreasoning anger, impatience of
control, the search for novelty and pride in revolt. Where, too, mere
dirt has stained the page.
IV
WHAT, THEN, WERE THE NEW MORAL PROBLEMS, WHAT WAS THE FRANK OUTLOOK,
RAISED AND ADOPTED BEFORE THE WAR?
What are their effects, for good and evil, upon modern literature?
We recognize the physical expression of love as itself no way impure
or unclean: but as a part of true passion. We know that sin means a
state of mind or emotion, a false conception of moral values; and that
virtue is not secured by legal sanction. We recognize, frankly, man's
weakness and the complexity of social life; wherefore the dangers and
temptations of ill-doing must be faced and understood.
Finally, we believe that _knowledge brings strength_; and, therefore,
these "difficult" questions cannot, and should not, be ignored in
conversation or in books: above all, not by those who, whether
intentionally or not, do influence thought by their power to create
character in fiction.
This awakening to a new view of Truth, however, has produced an
atmosphere in modern novels which—whatever the aim or intention of
modern novelists, leads to grave evil.
1. The determination to call a spade a spade, complete
frankness in words, too often ignores the relative importance
of things or deeds thus exposed. It tends, unavoidably, to
over-emphasize the physical, no less than our grandparents
exaggerated the romantic.
Public-domain text, read in full here on John Shaqi.
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