Jonathan, I won't have you waste your time on this stuff. I've been pretty
lenient with you and I've allowed you to keep your toys because Emily
spoiled you; but you're too big for such things and I'm going to put my
foot down right now. I'm not going to have this silly stuff around.
JONATHAN
Uncle Nathaniel doesn't think it's silly.
JOHN
I'll decide what is and is not good for you.
JONATHAN
The same thing isn't good for everybody.
JOHN
Don't talk back to me, young man.
JONATHAN
I've got a right to think.
JOHN
Jonathan!
JONATHAN
If my mother was living, she wouldn't call everything I like to do silly.
JOHN
Your mother didn't know what was good for you.
JONATHAN
My mother was the best woman in the world.
JOHN
That will do, Jonathan. Your mother was my sister and I am not saying
anything against her. But I do say that stuff must go.
[_He starts for the door._
JONATHAN
If this theatre goes, I go, too. I'm not--
[_John walks over to the theatre and sweeps the whole structure onto the
floor._
JOHN
Now.
JONATHAN
You dirty coward, you--
[_John turns upon the boy and strikes him across the face._
_In mingled rage and humiliation Jonathan sobs wildly once or twice, then
controls himself and glares violently at his uncle._
JOHN
I'll let you think about it. I'll leave you here with your toys like a
girl-baby.
[_He goes out the door, closing it and turning the key in the lock._
_Jonathan runs to the door._
JONATHAN
You let me out of here! You let me out of here!
[_He pounds the door with his fists._
_Then he turns in despair and humiliation._
_He paces the floor a moment, not knowing what to do. Suddenly Hank's
whistle is heard. The boy listens as though fascinated and goes to the
window and watches Hank. Jonathan goes to his wrecked theatre and, taking
it up, piles his manuscripts, the pink and the blue, on it. He hesitates to
include one in the pile, offering once or twice to put it in his pocket,
but he finally places it in grim determination with the others. Then he
takes it off and stuffs it in his pocket. He stuffs the pile in the stove
and sets a match to it, watches it a moment, then writes on a piece of
paper, fastens it to the door. Then he finds a piece of rope on a packing
case, moves the ladder under the gable window, fastens the rope to a peg
in the wall, climbs the ladder, considers a moment, returns to the stove
with the beloved manuscript, stuffs it in the fire, remounts the ladder and
lets his weight onto the rope. As he disappears from view, the rope breaks
and a cry and sound of falling are heard._
_The flames from the burning theatre and manuscripts flicker against the
wall for a silent moment._
_The key is heard to turn in the lock and John and Nathaniel enter._
JOHN
Jonathan!
NATHANIEL
He's hiding.
JOHN
Jonathan!
NATHANIEL (_Sees paper on door_)
What's this?
JOHN
What does it say?
NATHANIEL
"Good-bye!... Jonathan."
JOHN (_Looks suspiciously at Nathaniel_)
Public-domain text, read in full here on John Shaqi.
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