Such was Mr. Vincent Egg, after a half-century of struggle with the world; and something of an imposing figure he made, too, in his defeat and degradation. His nose was red, his cheeks were puffed and veined, there were bags under his bloodshot eyes, his close-cropped hair was thin, his stubby little gray moustache, desperately waxed at the ends, gave an incongruously foreign touch to his decidedly Anglo-Saxon face--and his clothes were shockingly shabby. But then he _wore_ his clothes, as few men in our day can wear clothes; and they were _his_ clothes; his very own, and not another’s. People often spoke of him, after seeing him once, as “that big, soldierly-looking old man in the white hat.” But he did not wear a white hat. His hat, which was one of the largest, one of the jauntiest and one of the oldest ever seen, had also been, in its time, one of the blackest. It was his coat that gave people an idea of his having something about him that suggested white. It was a tightly-buttoned frock-coat of an indescribable light-dirty color. Most hopelessly shabby men cling to some standard of taste in dress that was _the_ standard in their last-remembered days of prosperity. That coat--if it were one coat and not only one of a long-lived family--marked the fact that the last season of prosperity Mr. Egg had enjoyed was a season, now some twenty years gone, when the London “swells” or “nobs,” or whatever they called them then, wore frock-coats of certain fashionable light shades of fawn and mouse-color, then known, I believe, as “London Smoke” and “French Gray.” While it can not be said that Mr. Egg’s coat was familiar in every quarter of Europe (for it rarely staid long enough in any one place), it had certainly been seen in all. And more than one Austrian officer, after passing Mr. Egg in that garment of pallid, dubious and puzzling hue, had turned sharply around to satisfy himself that it was not a uniform-coat in a condition of profanation. A certain state and dignity that still clung to this coat, and the startling cleanness of his well-scissored cuffs and collars were all that remained to give Mr. Egg a hold upon exterior respectability. With such a history, Mr. Egg was naturally well versed in the freemasonry of poverty and need. As his eyes became accustomed to the sun, he looked at the girl’s pinched face, and his tones suddenly changed. Vincent Egg spoke several languages, and he knew all their social dialects and variations. It was in friendly and familiar speech that he addressed the girl, and asked her--What was the matter? and, Was the business going ill? [Illustration]