Then woe to the bold man who would have dared to handle our illusions rudely! Woe to the unhappy one whose strength gave out too soon! Ere he could recollect himself, a knife, brandished by an otherwise friendly hand, would have flashed before his eyes. The unhappy man would have perished as the weaker wild animals perish without mercy among an enraged herd. * * * * * A choir composed of six voices resounded with a deep echo round the large rooms of the solitary house. Sad and joyful songs alternated naturally in the same unchangeable order in which everything is carried out in this world. A native of the Cracow district, Bartek with his Cracowiaks[15] was a host in himself. "We're not such bad fellows"[16] alone would have satisfied the most ardent vocal enthusiast, we sang it so many times. For it was not five or ten, but rather twenty years or even more, since many of us had heard that little song. So, although Bartek was already hoarse, to everyone's delight he sang it again for the fifth time, repeating the second verse, which is the more beautiful, six or seven times. Each word of that song, so charmingly and poetically naïve, called forth indescribable enthusiasm. "Ay, ay, what a song! That is a song!" the brief applause burst out; and although Bartek sang on without interruption, glancing round triumphantly, he found time to answer each exclamation briefly but distinctly: "That's a Cracowian song!" Babiński followed the melody of each ballad or song, and rattled it out like a barrel organ, merely repeating two very discordant syllables innumerable times: "Dyna, dyna, dyna, dyna." He sang with the greatest enthusiasm, however; strong as he always was and burning with inward fire, he was terrible now with his wordless songs, into which he put all the sufferings and sorrows he had never expressed in words. At last we had exhausted all the songs we knew, and sung them to the end; no one could recall any more. But since the frenzy which had seized us had now reached its height, it was necessary to find some new song giving ample outlet by its words and motifs to the emotions already aroused, and answering to our present state of feeling. * * * * * Among the songs of our nation which give an outlet to its longings, the greatest are the religious songs; for whether sad or joyous, mournful or festive, they are always noble in their deep and calm feeling. The people who can hear and find nothing in these songs are poor indeed. The Lenten, Easter, and Christmas songs are the greatest artistic inheritance handed down to us from the past. It is the one sphere of artistic creativeness not produced by separate epochs and classes, but to which the whole nation has contributed throughout the centuries of its existence, giving to it all its earthly joys and griefs--all its soul.