Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal MasculineSudermann, Hermann
General
Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal Masculine
Sudermann, Hermann
German drama -- Translations into English
Bishop, I have been a good servant of thy church. To dedicate her
temples, as once Totilas did, have I not been able; but what there was
to kill, I have killed for her welfare. Shall I perform a posture for
the blessed Arius?
Bishop.
My son, I understand thee not.
Teja.
For that I am sorry, my father.
Bishop.
And hast thou taken leave?
Teja.
Leave--of whom? Rather have I a mind to cry "welcome"; but yet nothing
is there!
Bishop (_indignantly_).
I speak of thy wife, Sire.
Teja.
At this hour, I know only men, Bishop. Of wives I know nothing.
Farewell! (_Enter_ Theodemir _and_ Ildibad.)
Bishop.
Farewell--and God be gracious to thy soul!
Teja.
I thank thee, Bishop.... Ah, there art thou, Theodemir. (_Exit_ Bishop
Agila.)
_NINTH SCENE_.
Teja. Theodemir. Ildibad (_in the background, occupied with the King's
weapons, going noiselessly in and out_).
Teja.
What are the warriors doing?
Theodemir.
They who have their wives here, are gone to the Wagenburg.... There
they will surely eat and drink and play with their children.
Teja.
And is thy wife here also?
Theodemir.
Yea, Sire!
Teja.
And thy children?
Theodemir.
Two boys, Sire!
Teja.
And thou didst not go?
Theodemir.
I waited on thy call, Sire.
Teja.
What hour is it?
Theodemir.
The ninth, Sire.
Teja.
And what do they who are free--the unmarried, and they whose wives are
not here?
Theodemir.
They lie by the fires and are silent.
(_Exit_ Ildibad.)
Teja.
See to it that something is brought to them also. I already ordered it.
Will they sleep?
Theodemir.
No one will sleep.
Teja.
At midnight, come and fetch me.
Theodemir.
Yea, Sire. (_Makes as if to go_.)
Teja (_with a shade of anxiety_).
Theodemir, stay!... Thou hast always been my adversary.
Theodemir.
I was, Sire. For a long time I have ceased to be.
Teja (_stretches out his arms_).
Public-domain text, read in full here on John Shaqi.
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