Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal Masculine — John Shaqi
Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal MasculineSudermann, Hermann
General
Morituri: Three One-Act Plays: Teja—Fritzchen—The Eternal Masculine
Sudermann, Hermann
German drama -- Translations into English
(Valet _after arranging the cushions, places himself before the easel,
and ogles the portrait_.)
The Painter.
What is it?
The Valet.
(_Pleasantly, as a connoisseur_.) Ah these little furrows in the
cheeks! (_Benevolently_.) It can't be expected, sir, of you that your
brush should do justice to every fine point. Yet--aside from that--the
likeness is good.
The Painter (_laughing heartily_).
Indeed?
The Valet.
(_Opening the door on the left, announces_.) Her Majesty!
The Painter.
I scent trouble in this, and a voice says to me flee! I have already
committed many a folly, but I never loved a queen! Take heed to
yourself!
(The Two Maids of Honour _have entered during this soliloquy, and have
taken their positions to the right and left of the door_.)
The Queen.
(_Nods cordially to_ The Painter, _and takes her seat on the throne, as
before_.) My dear Jean, I must dispense with you now. Don't stay too
late.
(_Exit Jean_.)
_FOURTH SCENE_.
THE QUEEN. THE PAINTER. THE DEAF MAID OF HONOUR (_who seats herself
behind the screen_). THE SLEEPY MAID OF HONOUR (_who falls asleep
directly on a chair near the door on the left_).
The Queen.
Well, master, tell me: what is Genius doing?
The Painter.
Oh, your Majesty, he is pursuing Beauty.
The Queen.
Yet since Beauty lingers no more on earth, your genius will soon grow
weary.
The Painter.
How so? Does your Majesty think it roams in the sky? It lingers just at
the goal and cries: Oh behold! and what thou beholdest, that give to
eternity!
The Queen.
I did not know, my dear master, that you were so ready with your
compliments. Very well! As a man of many travels and of great
reputation, you tread continually on the scorn of men; and since we are
here chatting in confidence, take heart and tell me without reserve,
tell me quite frankly: am I really beautiful?
The Painter.
If I were to speak as a man, every word would be presumptuous. Yet you
ask the painter only. And he says that his hand is withered with
anxiety lest on this canvas there will be found only a pale blotted
vapour seen by a blind man.
The Queen.
There spoke the painter. But what says the man?
The Painter.
He has no opinion, your Majesty!
The Queen.
Public-domain text, read in full here on John Shaqi.
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