France -- Social life and customs -- Fiction; Short stories, French -- Translations into English
Ninety-nine years ago to the very day, I was standing on a round table
with a dozen of my comrades, all of them as like me as if they had been
my brothers. Some were standing, some lying down, several had sustained
injuries to the head or legs: we were the heroic remnant of a box of
leaden soldiers bought the previous year at the fair of Saint Germain.
The room was hung with pale blue silk. It contained a spinet with the
Prayer from Orpheus open upon it, a few chairs with lyre-shaped backs, a
lady’s escritoire of mahogany, a white bed decked with roses; and all
along the cornice were perched pairs of doves. Everything combined to
convey an impression of affecting charm. The lamp diffused its soft
light, and the flame on the hearth quivered like wings beating in the
dusk. Clad in a dressing-gown, and seated in front of her escritoire,
her delicate neck bending beneath the circling masses of her magnificent
fair hair, Julie was turning over the letters tied up with ribbons,
which had lain hidden in the drawers of the bureau.
Midnight strikes; the outward sign of the imaginary leap from one year
to another. The dainty timepiece, on which is poised a laughing, golden
Cupid, proclaims that the year 1793 has come to an end.
Just as the hands of the clock meet, a small phantom figure makes its
appearance. Through a door which stands half open, a pretty child has
crept out of the dressing-room, where he has his bed, and run in his
nightshirt to fling himself into his mother’s arms and wish her a happy
new year.
“A happy new year, Pierre?... Ah! thank you, thank you! But do you know
what a happy year is?”
He thought he did; but, all the same, she wished to make quite sure that
he knew.
“A year is happy, my darling, when it passes on its way bringing us
neither hatreds nor fears.”
She embraces him; then she carries him back to the bed he has escaped
from, and then returns to her seat in front of the escritoire. She
glances first at the flames leaping on the hearth, and then at the
letters from which dried flowers are falling. It is heartrending to have
to burn them. Yet it must be done. For these letters, if they were
discovered, would consign to the guillotine both him who wrote them and
her who received them. If it was only herself that was in danger, she
would not burn them, so weary is she of her contest for life with the
executioners. But she thinks of him, proscribed, denounced, pursued,
hidden away in some garret at the other end of Paris. A single one of
these letters would be enough to put his pursuers on his track and
deliver him over to death.
Public-domain text, read in full here on John Shaqi.
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