France -- Social life and customs -- Fiction; Short stories, French -- Translations into English
“Catherine Fontaine was an old maid whom he well remembered having seen
when he was a mere child. I should not be surprised if there were still,
perhaps, three old fellows in the district who could remember having
heard folks speak of her, for she was very well known and of excellent
reputation, although poor enough. She lived at the corner of the Rue aux
Nonnes, in the turret which is still to be seen there, and which formed
part of an old half-ruined mansion looking on to the garden of the
Ursuline nuns. On that turret can still be traced certain figures and
half-obliterated inscriptions. The late Curé of St. Eulalie, Monsieur
Levasseur, asserted that there are the words in Latin, _Love is stronger
than death_, ‘which is to be understood,’ so he would add, ‘of divine
love.’
“Catherine Fontaine lived by herself in this tiny apartment. She was a
lacemaker. You know, of course, that the lace made in our part of the
world was formerly held in high esteem. No one knew anything of her
relatives or friends. It was reported that when she was eighteen years
of age she had loved the young Chevalier d’Aumont-Cléry, and been
secretly affianced to him. But decent folk didn’t believe a word of it,
and said it was nothing but a tale which had been concocted because
Catherine Fontaine’s demeanour was that of a lady rather than of a
working woman, and because, moreover, she possessed beneath her white
locks the remains of great beauty. Her expression was sorrowful, and on
one finger she wore one of those rings fashioned by the goldsmith into
the semblance of two tiny hands clasped together. In former days folks
were accustomed to exchange such rings at their betrothal ceremony. I am
sure you know the sort of thing I mean.
“Catherine Fontaine lived a saintly life. She spent a great deal of time
in the churches, and every morning, whatever might be the weather, she
went to assist at the six o’clock Mass at St. Eulalie.
Public-domain text, read in full here on John Shaqi.
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