One would never weary of dipping eagerly into these inexhaustible
treasures. We imagine, for instance, that, from seeing cobwebs so
frequently displayed in all manner of places, we possess adequate
notions of the genius and methods of our familiar spiders. Far from
it: the realities of scientific observation call for an entire volume
crammed with revelations of which we had no conception. I will simply
name, at random, the symmetrical arches of the Clotho Spider’s nest,
the astonishing funicular flight of the young of our Garden Spider, the
diving-bell of the Water Spider, the live telephone-wire which connects
the web with the leg of the Cross Spider hidden in her parlour and
informs her whether the vibration of her toils is due to the capture of
a prey or a caprice of the wind.
It is impossible, therefore, short of having unlimited space at one’s
disposal, to do more than touch, as it were with the tip of the
phrases, upon the miracles of maternal instinct, which, moreover, are
confounded with those of the higher manufactures and form the bright
centre of the insect’s psychology. One would, in the same way, require
several chapters to convey a summary idea of the nuptial rites which
constitute the quaintest and most fabulous episodes of these new
Arabian Nights.
The male of the Spanish Fly, for instance, begins by frenziedly
beating his spouse with his abdomen and his feet, after which, with
his arms crossed and quivering, he remains long in ecstasy. The
newly-wedded Osmiae clap their mandibles terribly, as though it were a
matter rather of devouring each other; on the other hand, the largest
of our moths, the Great Peacock, who is the size of a bat, when drunk
with love finds his mouth so completely atrophied that it becomes no
more than a vague shadow. But nothing equals the marriage of the Green
Grasshopper, of which I cannot speak here, for it is doubtful whether
even Latin possesses the words needed to describe it seemingly.
Public-domain text, read in full here on John Shaqi.
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