Feminism -- Fiction; Political fiction, American; Socialism -- Fiction; Utopian fiction; Utopias -- Fiction; Women -- Fiction
MOVING THE
MOUNTAIN
BY
CHARLOTTE PERKINS GILMAN
CHARLTON COMPANY
NEW YORK
1911
Copyright, 1911
by
Charlotte Perkins Gilman
PREFACE
One of the most distinctive features of the human mind is to forecast
better things.
"We look before and after
And pine for what is not."
This natural tendency to hope, desire, foresee and then, if possible,
obtain, has been largely diverted from human usefulness since our goal
was placed after death, in Heaven. With all our hope in "Another World,"
we have largely lost hope of this one.
Some minds, still keen in the perception of better human possibilities,
have tried to write out their vision and give it to the world. From
Plato's ideal Republic to Wells' Day of the Comet we have had many
Utopias set before us, best known of which are that of Sir Thomas More
and the great modern instance, "Looking Backward."
All these have one or two distinctive features--an element of extreme
remoteness, or the introduction of some mysterious outside force.
"Moving the Mountain" is a short distance Utopia, a baby Utopia, a
little one that can grow. It involves no other change than a change of
mind, the mere awakening of people, especially the women, to existing
possibilities. It indicates what people might do, real people, now
living, in thirty years--if they would.
One man, truly aroused and redirecting his energies, can change his
whole life in thirty years.
So can the world.
CONTENTS
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER I
On a gray, cold, soggy Tibetan plateau stood glaring at one another two
white people--a man and a woman.
With the first, a group of peasants; with the second, the guides and
carriers of a well-equipped exploring party.
The man wore the dress of a peasant, but around him was a leather
belt--old, worn, battered--but a recognizable belt of no Asiatic
pattern, and showing a heavy buckle made in twisted initials.
The woman's eye had caught the sunlight on this buckle before she saw
that the heavily bearded face under the hood was white. She pressed
forward to look at it.
"Where did you get that belt?" she cried, turning for the interpreter to
urge her question.
The man had caught her voice, her words. He threw back his hood and
looked at her, with a strange blank look, as of one listening to
something far away.
"John!" she cried. "John! My Brother!"
He lifted a groping hand to his head, made a confused noise that ended
in almost a shout of "Nellie!" reeled and fell backward.
* * * * * *
When one loses his mind, as it were, for thirty years, and finds it
again; when one wakes up; comes to life; recognizes oneself an American
citizen twenty-five years old----
No. This is what I find it so hard to realize. I am not twenty-five; I
am fifty-five.
* * * * * *
Public-domain text, read in full here on John Shaqi.
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