Augusta’s remarkable literary success had not been of much practical advantage to her, for in this country literary success does not mean so much as it does in some others. As a matter of fact, indeed, the average Briton has, at heart, a considerable contempt, if not for literature, at least for those who produce it. Literature, in his mind, is connected with the idea of garrets and extreme poverty; and, therefore, having the national respect for money, he in secret, if not in public, despises it. A tree is known by its fruit, says he. Let a man succeed at the Bar, and he makes thousands upon thousands a year, and is promoted to the highest offices in the State. Let a man succeed in art, and he will be paid one or two thousand pounds apiece for his most “pot-boilery” portraits. But your literary men—why, with a few fortunate exceptions, the best of them barely make a living. What can literature be worth, if a man can’t make a fortune out of it? So argues the Briton—no doubt with some of his sound common-sense. Not that he has no respect for genius. All men bow to true genius, even when they fear and envy it. But he thinks a good deal more of genius dead than genius living. However this may be, there is no doubt but that if through any cause—such, for instance, as the sudden discovery by the great and highly civilised American people that the seventh commandment was probably intended to apply to authors, amongst the rest of the world—the pecuniary rewards of literary labor should be put more upon an equality with those of other trades, literature—as a profession—will go up many steps in popular esteem. At present, if a member of a family has betaken himself to the high and honourable calling (for surely, it is both) of letters, his friends and relations are apt to talk about him in a shy and diffident, not to say apologetic, way; much as they would had he adopted another sort of book-making as a means of livelihood. Thus it was that, notwithstanding her success, Augusta had nowhere to turn in her difficulty. She had absolutely no literary connection. Nobody had called upon her, and sought her out in consequence of her book. One or two authors in London, and a few unknown people from different parts of the country and abroad, had written to her—that was all. Had she lived in town it might have been different; but, unfortunately for her, she did not.