Mr. Pim Passes By: A Comedy in Three ActsMilne, A. A. (Alan Alexander)
General
Mr. Pim Passes By: A Comedy in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
DINAH. But, darling child, what _have_ you been doing all this morning
_except_ telling George?
BRIAN. Oh, _trying_ to tell George.
DINAH (_nodding_). Yes, of course, there's a difference.
BRIAN. I think he _guessed_ there was something up, and he took me down
to see the pigs--he said he had to see the pigs at once--I don't know
why; an appointment perhaps. And we talked about pigs all the way, and I
couldn't say, "Talking about pigs, I want to marry your niece--"
DINAH (_with mock indignation_). Oh, of course you couldn't.
BRIAN. No. Well, you see how it was. And then when we'd finished talking
_about_ pigs, we started talking _to_ the pigs--
DINAH (_eagerly_). Oh, _how_ is Arnold?
BRIAN. Arnold...? Oh yes, that's the little black-and-white one? He's
very jolly, I believe, but naturally I wasn't thinking about him much. I
was wondering how to begin. And then Lumsden came up, and wanted to talk
pig-food, and the atmosphere grew less and less romantic, and--and I
gradually drifted away.
DINAH. Oh, poor darling! Well, we shall have to approach him through
Olivia.
BRIAN. But I always wanted to tell her first; she's so much easier. Only
_you_ wouldn't let me.
DINAH. That's _your_ fault, Brian. You would tell Olivia that she ought
to have orange-and-black curtains in here.
BRIAN. But she wants orange and black curtains in here.
DINAH. Yes. (_Rising and standing with her back to fire, imitating_
GEORGE.) But George says he's not going to have any Futuristic nonsense
in an honest English country house, which has been good enough for his
father and his grandfather and his great-grandfather, and--and all the
rest of them. (_Kneels on settee_.) So there's a sort of strained feeling
between Olivia and George just now, and if Olivia were to--sort of
recommend you, well, it wouldn't do you much good.
BRIAN (_looking at her_). I see. Of course I know what _you_ want, Dinah.
DINAH. What do I want?
BRIAN. You want a secret engagement--
DINAH. Oh!
BRIAN. And notes left under door-mats--
DINAH. Oh!
BRIAN. And meetings by the withered thorn--
DINAH. Oh!
BRIAN. When all the household is asleep.
DINAH. Oh!
BRIAN. I know you.
DINAH. Oh, but it is such fun! I love meeting people by withered thorns.
BRIAN. Well, I'm not going to have it.
DINAH (_childishly, sitting close to him_). Oh, George! Look at us being
husbandy!
BRIAN. You babe! I adore you. (_He kisses her and holds her hands_.) You
know, you're rather throwing yourself away on me. Do you mind?
DINAH (_putting her legs up on settee and reclining her head on his
shoulder_). Not a bit.
BRIAN. We shall never be rich, but we shall have lots of fun, and meet
interesting people, and feel that we're doing something worth doing, and
not getting paid nearly enough for it, and we can curse the Academy
together and the British Public, and--oh, it's an exciting life.
DINAH (_seeing it_). I shall love it.
BRIAN (_sincerely_). I'll make you love it. You shan't be sorry, Dinah.
Public-domain text, read in full here on John Shaqi.
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