Mr. Pim Passes By: A Comedy in Three ActsMilne, A. A. (Alan Alexander)
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Mr. Pim Passes By: A Comedy in Three Acts
Milne, A. A. (Alan Alexander)
English drama -- 20th century
DINAH. You shan't be sorry either, Brian.
BRIAN (_looking at her lovingly_). Oh, I know I shan't.... What will
Olivia think about it? Will she be surprised?
DINAH. Olivia? Oh, she's never surprised. She always seems to have
thought of things about half an hour before they happen. George just
begins to get hold of them about half an hour after they've happened.
(_Considering him, stroking his hair_.) After all, there's no reason why
George shouldn't like you, darling.
BRIAN. I'm not his sort, you know, really.
DINAH. You're more Olivia's sort. Well, we'll tell Olivia this morning.
(OLIVIA _comes in from top of staircase up R_.)
OLIVIA (_coming in_). And what are you going to tell Olivia this morning?
(_They jump up and go to her_.)
DINAH. Olivia, darling--
OLIVIA, Oh, well, I think I can guess,
(DINAH _goes to her_ R, _and_ BRIAN _to her_ L., _and they bring her
down_ C.)
BRIAN (_following_). Say you understand, Mrs. Marden.
OLIVIA. Mrs. Marden, I am afraid, is a very dense person, Brian, but I
think if you asked Olivia if she understood--
BRIAN. Bless you, Olivia. I _knew_ you'd be on our side.
DINAH. Of course she would.
OLIVIA. I don't know if it's usual to kiss an aunt-in-law, Brian, but
Dinah is such a very special sort of niece that--(_she inclines her cheek
and_ BRIAN _kisses it_).
DINAH (_backing away to_ B. _a little_). I say, you are in luck to-day,
Brian.
(BRIAN _moves up_ C. _laughing_.)
OLIVIA (_crossing below settee_ L. _and up_ L. _to cabinet_). And how
many people have been told the good news?
BRIAN. Nobody yet.
DINAH. Except Mr. Pim.
BRIAN (_crossing down to_ DINAH). Oh, does he--
OLIVIA (_timing as she reaches cabinet, up_ L.), Who's Mr. Pim?
DINAH. Oh, he just happened--(OLIVIA _takes curtains and work-basket from
centre cupboard of cabinet_.)--I say, are those the curtains? Then you're
going to have them after all?
OLIVIA (_with an air of surprise, coming down L., and putting
work-basket on table L.C. and sitting with curtains_). After all what?
But I decided on them long ago. (_To_ BRIAN.) You haven't told George yet.
BRIAN (_moving to below stool_ L.C.). I began to, you know, but I never
got any farther than "Er--there's just--er--"
DINAH (_crossing quickly below_ OLIVIA _and speaking into her face_).
George would talk about _pigs_ all the time.
OLIVIA. Well, I suppose you want me to help you.
DINAH (_sitting to_ L. _of_ OLIVIA). Oh, do, darling.
BRIAN (_sits on stool_ L.C.). It would be awfully decent of you. Of
course, I'm not quite his sort really--
DINAH. You're my sort.
BRIAN. But I don't think he objects to me, and--
(GEORGE _comes in from terrace, a typical, narrow-minded, honest country
gentleman of forty odd._ BRIAN _rises hurriedly and crosses to above
piano to_ R. DINAH _rises and stands by fireplace._ OLIVIA _unfolds
curtains and prepares to sew_.)
Public-domain text, read in full here on John Shaqi.
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