Mr. Punch at the Play: Humours of Music and the Drama
General
Mr. Punch at the Play: Humours of Music and the Drama
English wit and humor; English wit and humor, Pictorial; Theater -- Great Britain -- Humor
_No. 1._ Then I am on. Thanks very much for the information. Ah!
the curtain has fallen. So much for the first act! (_Enter
visitor._) Ah! how are you? Where are you?
_Visitor._ Well, I have got a stall, but I have only just come into
the house. What are they playing?
_No. 2._ I am sure I don't know; but if you are curious about it,
here's the programme.
_Visitor._ And what's it all about?
_No. 1_ (_on behalf of self and companions_). We haven't the
faintest notion.
[_Conversation becomes general, and remains so until the end of the
evening, regardless of the dialogue on the stage side of the
curtain._
* * * * *
[Illustration: MELODRAMA IN THE SUBURBS.--_Elder Sister._ "Do give up,
Nellie! They're only acting." _Nellie_ (_tearfully_). "You leave me
alone. I'm enjoying it!"]
* * * * *
[Illustration: THE RULING PASSION.--_Doctor._ "No, my dear sir, we must
keep ourselves quiet for the present. No stimulants--nothing more
exciting than gruel. Gruel for breakfast, gruel for luncheon, gruel for
dinner, gruel for----" _Peter Pundoleful_ (_a noted burlesque
writer--though you wouldn't have thought it to look at him--rousing
himself suddenly_). "Ah! my dear doctor, why is there not a society for
the prevention of gruelty to animals?"]
* * * * *
HIS FIRST AND LAST PLAY
RALPH ESSENDEAN, _aged about fifty, is discovered at a
writing-desk. He studies a newspaper, from which he reads aloud,
thoughtfully:--"So that a successful play may bring its author
anything from five to twenty thousand pounds." He lays down the
paper, mutters, "H'm!" and taking up a pencil bites it
meditatively. Enter Mrs. Essendean._
_Mrs. Essendean_ (_crossing to Ralph, and placing her hand on his
shoulder, asks affectionately_). Well, dear, and how is the play getting
on?
_Ralph_ (_irritably_). You talk of the play, Matilda, as though it were
possible to write a four-act drama in ten minutes. The play is not
getting on at all well, for the simple reason that I am only just
thinking out the idea.
_Mrs. Essendean_ (_seating herself by the table_). How nice, dear! And
what _is_ the idea?
_Ralph_ (_grimly_). That is just what I am wondering about. Now if you
will kindly retire to the kitchen and make an omelette, or discharge the
cook, I shall be obliged.
[_Leans over his desk._
_Mrs. E._ But, dear, I am sure the cook is a most excellent servant,
and----
_Ralph_ (_turning round and speaking with repressed exasperation_). That
was simply my attempt at a humorous explanation of my wish to be alone,
Matilda.
Public-domain text, read in full here on John Shaqi.
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