English wit and humor; English wit and humor, Pictorial
[Illustration: _Lady Visitor (at work-girls' club, giving some advice on
manners)._ "And you know ladies never speak to gentlemen without an
introduction."
_'Liza._ "We knows yer don't, miss, an' we offen pities yer!"]
* * * * *
[Illustration: AN IDYLL
_Hemma._ "Oh, 'Arry, hain't this 'eavenly! You'll promise to give me 'am
sandwiches always, when we're married, won't yer?"
_'Arry._ "'Corse I will!"]
* * * * *
[Illustration: _First Workman._ "Why don't yer buy yer _own_ matches,
'stead of always cadgin' mine?"
_Second Workman._ "You're uncommon mean with yer matches. I'll just take
a few"--(_helps himself to two-thirds_)--"and be hinderpendent of yer!"]
* * * * *
[Illustration: ERRAND BOYS
_First Boy._ "Where are yer goin' to, Bill?"
_Second Boy._ "I've got to go right over 'Ammersmith Bridge to Barnes,
then I'se got to go to Putney and back by Fulham Road, then to 'Igh
Street, Kensington."
_First Boy._ "Why, I've got to go to 'Igh Street. You go on. I'm in a
bit of a hurry, but _I'll wait for yer_!"]
* * * * *
MOST MUSICAL, MOST MELANCHOLY.--A Cockney gentleman who had been hearing
a concert of old music, where every piece that was performed was in the
programme termed an "op.," observed, as he went out, "Well, after all
these 'ops, I vote we have some malt."
* * * * *
COCKNEYISM IN THE COUNTRY.--_1st Cockney._ I say, what sort of a 'ouse
will do for a fowl-'ouse?
_2nd Cockney._ Lor' bless yer, _hen_-ny 'ouse.
* * * * *
CONUNDRUM FOR COCKNEYS.--Which has the greater amount of animal heat,
the beaver or the otter? Why, of course, the _otter_ of the two.
* * * * *
SONG OF THE COCKNEY SPORTSMAN
How happy could I be in heather,
At the grouse gaily blazing away!
But then, somehow, I can't touch a feather,
So 'tis better at Brighton to stay.
* * * * *
PRO BONO.--There is one first-rate joint that comes to table which is
the Cockney's prime aversion--the h-bone.
* * * * *
[Illustration: A MODEL MODEL.
(_The artist is rather shy, and has left his model to do the honours of
his studio._) "From whom did Mr. M'Gilp paint that head?"
"From yours obediently, madam. I sit for the 'eads of all 'is 'oly men."
"He must find you a very useful person."
"Yes, madam. I order his frames, stretch his canvases, wash his brushes,
set his palette, and mix his colours. All _he's_ got to do is just to
_shove 'em on!_"]
* * * * *
[Illustration: _Tripper._ "'Ere! 'Arf a mo'! Where's the change out o'
that bob I gave yer?"
_Bystander._ "Don't worry about it, cocky; ain't you got the bloomin'
'oss as security!"]
* * * * *
Public-domain text, read in full here on John Shaqi.
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