In height, Mr. Sponge was above the middle size--five feet eleven or so--with a well borne up, not badly shaped, closely cropped oval head, a tolerably good, but somewhat receding forehead, bright hazel eyes, Roman nose, with carefully tended whiskers, reaching the corners of a well-formed mouth, and thence descending in semicircles into a vast expanse of hair beneath the chin. Having mentioned Mr. Sponge's groomy gait and horsey propensities, it were almost needless to say that his dress was in the sporting style--you saw what he was by his clothes. Every article seemed to be made to defy the utmost rigour of the elements. His hat (Lincoln and Bennett) was hard and heavy. It sounded upon an entrance-hall table like a drum. A little magical loop in the lining explained the cause of its weight. Somehow, his hats were never either old or new--not that he bought them second-hand, but when he got a new one he took its 'long-coat' off, as he called it, with a singeing lamp, and made it look as if it had undergone a few probationary showers. When a good London hat recedes to a certain point, it gets no worse; it is not like a country-made thing that keeps going and going until it declines into a thing with no sort of resemblance to its original self. Barring its weight and hardness, the Sponge hat had no particular character apart from the Sponge head. It was not one of those punty ovals or Cheshire-cheese flats, or curly-sided things that enables one to say who is in a house and who is not, by a glance at the hats in the entrance, but it was just a quiet, round hat, without anything remarkable, either in the binding, the lining, or the band, but still it was a very becoming hat when Sponge had it on. There is a great deal of character in hats. We have seen hats that bring the owners to the recollection far more forcibly than the generality of portraits. But to our hero.