That there may be a dandified simplicity in dress, is exemplified every day by our friends the Quakers, who adorn their beautiful brown Saxony coats with little inside velvet collars and fancy silk buttons, and even the severe order of sporting costume adopted by our friend Mr. Sponge is not devoid of capability in the way of tasteful adaptation. This Mr. Sponge chiefly showed in promoting a resemblance between his neck-cloths and waistcoats. Thus, if he wore a cream-coloured cravat, he would have a buff-coloured waistcoat, if a striped waistcoat, then the starcher would be imbued with somewhat of the same colour and pattern. The ties of these varied with their texture. The silk ones terminated in a sort of coaching fold, and were secured by a golden fox-head pin, while the striped starchers, with the aid of a pin on each side, just made a neat, unpretending tie in the middle, a sort of miniature of the flagrant, flyaway, Mile-End ones of aspiring youth of the present day. His coats were of the single-breasted cut-away order, with pockets outside, and generally either Oxford mixture or some dark colour, that required you to place him in a favourable light to say what it was. His waistcoats, of course, were of the most correct form and material, generally either pale buff, or buff with a narrow stripe, similar to the undress vests of the servants of the Royal Family, only with the pattern run across instead of lengthways, as those worthies mostly have theirs, and made with good honest step collars, instead of the make-believe roll collars they sometimes convert their upright ones into. When in deep thought, calculating, perhaps, the value of a passing horse, or considering whether he should have beefsteaks or lamb chops for dinner, Sponge's thumbs would rest in the arm-holes of his waistcoat; in which easy, but not very elegant, attitude he would sometimes stand until all trace of the idea that elevated them had passed away from his mind.