Actresses -- Great Britain -- Biography; Siddons, Sarah, 1755-1831
It required the courage and determination of a Kemble to undertake the
clearing out of such an Augean stable. “The public approbation of my
humble endeavours in the discharge of my duties will be the constant
object of my ambition,” he said, in his modest declaration on the
acceptance of the appointment; “and as far as diligence and assiduity
are claims to merit, I trust I shall not be found deficient.” Nor was he
found deficient. Bringing extraordinary determination to the task, he
soon got the theatre into order, with an efficient working company, of
which he and his sister, Mrs. Siddons, were the ruling spirits.
Sheridan had not even the good sense in this critical juncture in his
affairs to propitiate the great actress on whom the fortunes of the
house rested. There is something comic, indeed, in his relations with
the Tragedy Queen. They rather remind us of an incorrigible schoolboy
continually offending those in authority, and yet confident in their
affection and his own powers of persuasion to obtain indulgence and
forgiveness.
Once Mrs. Siddons had declared that she would not act until her salary
was paid, she resisted inflexibly the earnest appeals of her colleagues
and the commands of the manager, and was quietly sewing at home after
the curtain had risen for the piece in which she was expected to
perform. Sheridan appeared, like the magician in a pantomime, courteous,
irresistible; she yielded helplessly, “and suffered herself to be driven
to the theatre like a lamb.”
One night, Mr. Rogers tells us, having heard the story from her own lips,
when she was about to drive away from the theatre, Mr. Sheridan jumped
into the carriage. “Mr. Sheridan,” said the dignified Muse of Tragedy,
“_I trust that you will behave with propriety_; if not, I shall have to
call the footman to show you out of the carriage.” She owned that he
_did_ behave himself. But as soon as the carriage stopped, he leaped out,
and hurried away, as though wishing not to be seen with her. “Provoking
wretch!” she said, with an indulgent smile, which even she, encased in
all her panoply of prudish decorum, could not suppress.
Public-domain text, read in full here on John Shaqi.
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