Much Ado About SomethingLawrence, C. E. (Charles Edward)
Science
Much Ado About Something
Lawrence, C. E. (Charles Edward)
England -- Social life and customs -- 20th century -- Fiction; Fairies -- Fiction
The picture she saw was, alas! not uncommon. Ten thousand interiors of
London life down in the grey parts where grinding Poverty is king, were
more or less repetitions of the sight June gazed upon.
Two women squatted on the floor, sewing rapidly, with machine-like
steadiness. A third suckled as well as her poor means allowed a feeble
baby. The mother stared before her with eyes which were very tired.
Unlighted--as grey stones in a hollow face--they gazed at a present and
a future, too dreary for dreams. All her life was a stain and a grief.
One of the women, her companion, was racked with a consumptive cough.
There was by the inside wall of the room, a pile of half-completed
clothing--raw material for sweated needles to work upon--and very little
else. There were a frameless looking-glass; a few bottles; a battered
beer-pot, stolen from the haunt of liquid happiness at the entrance to
the Court; one chair, which served as table, cradle and cupboard, when
there was something to hoard underneath it; a verminous straw mattress;
and some broken wood, cardboard, and rags--the gleanings of rubbish
boxes. That is a complete inventory of the furniture, the ornamental as
well as the useful.
On the window-ledge were broken crusts, as stale as the phrases of
charity, and a black-handled fork, with pieces of string, cotton,
needles, several empty reels, which would make firewood some day, and
cards of buttons, the capital and essentials of those women’s industry.
June, fresh from the revels of Fairyland, was appalled at her picture,
and as near to tears as an indignant fairy could be. She felt hot anger
against Oberon.
Then again she gazed at Sally Wilkins and studied the hapless child.
The fairy’s whole being was eager sympathy and love. June knew Sally’s
history at once through the influence of her powers and the crown.
That was a child who had never seen a green field, or heard any wild
birds singing; though very well she knew, as every town-child must do,
the twittering of the pert sparrows in the streets. Sally was a lump of
solid ignorance. She had heard of God because His name was some
necessary part of several favourite swear-phrases; but of the fairies
and other sweet realities she had heard just nothing. She lived--poor
lass!--in so narrow and limited a world that she might as well have been
born in a grave as to the child’s destiny in Paradise Court.
She sewed and she sewed, with hardly a pause--"seam and gusset and
band"--though in her case it was buttons and buttons and buttons. So
constantly was she threading her way through the dark material that life
was to her nothing more than a dreary pilgrimage into and out of eternal
button-holes. Her fingers were the all-important machines. Her brain
was dulled: her soul unquickened. She was twelve years old; and
composed of skin, bones, hunger and weariness, wrapped in a modicum of
Nothing.
Public-domain text, read in full here on John Shaqi.
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